Producer
Ten Years Myanmar, an omnibus film depicting a dystopian future 10 years later, tells five stories by five directors.
Editor
Out of work and forced to marry a man she dislikes, young San Kyi plans to run away with her best friend, but complications unfold.
Producer
Out of work and forced to marry a man she dislikes, young San Kyi plans to run away with her best friend, but complications unfold.
Producer
Yangon, 1998. A boy and his mother are waiting for the return of the father, a civil servant, to move out another town at Upper Burma. On the last evening the boy tries to understand the complexities of relationships.
Director
Nobody knows what death is, as nobody has survived long enough to talk about it. But maybe death is not the end of life after all. 'When an old person dies, a baby is born', as one of the old ladies says without a hint of sorrow in '5 Beats Before Death', which follows the lives of those still alive at a home for elderly women in Burma. Here, they prepare with Buddhist tranquility and cheerful black humour for what the afterlife may bring. They speak openly and without fear about the life that will soon end, and about the journey that they are about to embark on. The only thing they are afraid of is that they might come back as ghosts. Therefore, it's important for the old ladies to say farewell to their loved ones and to face death on their own, without being attached to anything in this world. This is something that has to be done, but it isn't always easy. But they do have each other's good company, and the result is a cheerful, funny and wonderfully life-affirming film.
Editor
Every year on a full moon night in November, thirty women gather at Shwe Phone Pwint Pagoda in the Pazundaung district of Myanmar’s former capital Yangon to take part in a competition known as Matho Thingan. Their task is to weave the finest robes for the temple’s Buddha images. All robes must be finished by dawn otherwise they are considered ‘stale’. Cheered on by large crowds and an orchestra of pulsating drums and high-pitched oboes, the teams of dedicated female competitors work the handlooms frenziedly back and forth in a feat that celebrates Buddha’s own foster mother, Gautami, who is said to have woven her son a robe in a single day.
Cinematography
Every year on a full moon night in November, thirty women gather at Shwe Phone Pwint Pagoda in the Pazundaung district of Myanmar’s former capital Yangon to take part in a competition known as Matho Thingan. Their task is to weave the finest robes for the temple’s Buddha images. All robes must be finished by dawn otherwise they are considered ‘stale’. Cheered on by large crowds and an orchestra of pulsating drums and high-pitched oboes, the teams of dedicated female competitors work the handlooms frenziedly back and forth in a feat that celebrates Buddha’s own foster mother, Gautami, who is said to have woven her son a robe in a single day.
Director
Every year on a full moon night in November, thirty women gather at Shwe Phone Pwint Pagoda in the Pazundaung district of Myanmar’s former capital Yangon to take part in a competition known as Matho Thingan. Their task is to weave the finest robes for the temple’s Buddha images. All robes must be finished by dawn otherwise they are considered ‘stale’. Cheered on by large crowds and an orchestra of pulsating drums and high-pitched oboes, the teams of dedicated female competitors work the handlooms frenziedly back and forth in a feat that celebrates Buddha’s own foster mother, Gautami, who is said to have woven her son a robe in a single day.
