Mili Pecherer

Filmes

We Will Not Be the Last of Our Kind
Director
What if the famous biblical ark, the last refuge of humankind and the animal kingdom during the great flood, was not merely an act of divine intervention but, instead, a meticulously planned programme for professional reintegration?
It Wasn't the Right Mountain, Mohammad
Herself
The same old adventure recited in a new synthetic world, starring: God, Abraham, Isaac, a lost shepherd and the antelopes in the role of the Ram. Nobody is innocent.
It Wasn't the Right Mountain, Mohammad
Editor
The same old adventure recited in a new synthetic world, starring: God, Abraham, Isaac, a lost shepherd and the antelopes in the role of the Ram. Nobody is innocent.
It Wasn't the Right Mountain, Mohammad
3D Animator
The same old adventure recited in a new synthetic world, starring: God, Abraham, Isaac, a lost shepherd and the antelopes in the role of the Ram. Nobody is innocent.
It Wasn't the Right Mountain, Mohammad
Writer
The same old adventure recited in a new synthetic world, starring: God, Abraham, Isaac, a lost shepherd and the antelopes in the role of the Ram. Nobody is innocent.
It Wasn't the Right Mountain, Mohammad
Director
The same old adventure recited in a new synthetic world, starring: God, Abraham, Isaac, a lost shepherd and the antelopes in the role of the Ram. Nobody is innocent.
How Glorious It Is to Be a Human Being
Editor
Wrapped up warm in gorgeous medieval-like capes, two young women are walking. Setting off on their pilgrimage for a very humble destination, they travel along narrow country roads, and converse while listening to each other. The first one, Mili Pecherer, the director, carries on her back a both grotesque and enigmatic burden: a huge hemorrhoid-shaped bundle. As far as the second one is concerned, she is expecting a child. Understandably, here a serious and a comical approach are combined for this wandering on the foothills of the Pyrenees, open to carnival and irreverent tones under the auspices of a medieval song. As the picaresque tradition has it, this trip will give rise to meetings: with a farmer and father hosting them, with the inventor of a machine designed to find lost cats. And also a donkey, the transient travelling companion of this fanciful voyage.
How Glorious It Is to Be a Human Being
Cinematography
Wrapped up warm in gorgeous medieval-like capes, two young women are walking. Setting off on their pilgrimage for a very humble destination, they travel along narrow country roads, and converse while listening to each other. The first one, Mili Pecherer, the director, carries on her back a both grotesque and enigmatic burden: a huge hemorrhoid-shaped bundle. As far as the second one is concerned, she is expecting a child. Understandably, here a serious and a comical approach are combined for this wandering on the foothills of the Pyrenees, open to carnival and irreverent tones under the auspices of a medieval song. As the picaresque tradition has it, this trip will give rise to meetings: with a farmer and father hosting them, with the inventor of a machine designed to find lost cats. And also a donkey, the transient travelling companion of this fanciful voyage.
How Glorious It Is to Be a Human Being
Screenplay
Wrapped up warm in gorgeous medieval-like capes, two young women are walking. Setting off on their pilgrimage for a very humble destination, they travel along narrow country roads, and converse while listening to each other. The first one, Mili Pecherer, the director, carries on her back a both grotesque and enigmatic burden: a huge hemorrhoid-shaped bundle. As far as the second one is concerned, she is expecting a child. Understandably, here a serious and a comical approach are combined for this wandering on the foothills of the Pyrenees, open to carnival and irreverent tones under the auspices of a medieval song. As the picaresque tradition has it, this trip will give rise to meetings: with a farmer and father hosting them, with the inventor of a machine designed to find lost cats. And also a donkey, the transient travelling companion of this fanciful voyage.
How Glorious It Is to Be a Human Being
Director
Wrapped up warm in gorgeous medieval-like capes, two young women are walking. Setting off on their pilgrimage for a very humble destination, they travel along narrow country roads, and converse while listening to each other. The first one, Mili Pecherer, the director, carries on her back a both grotesque and enigmatic burden: a huge hemorrhoid-shaped bundle. As far as the second one is concerned, she is expecting a child. Understandably, here a serious and a comical approach are combined for this wandering on the foothills of the Pyrenees, open to carnival and irreverent tones under the auspices of a medieval song. As the picaresque tradition has it, this trip will give rise to meetings: with a farmer and father hosting them, with the inventor of a machine designed to find lost cats. And also a donkey, the transient travelling companion of this fanciful voyage.
Tsigele-migele
Director
Once upon a time, 3000 years ago, a ram died on a mountain top. Just before, we’d had our last picnic.