Mikey Rossiter

Mikey Rossiter

Perfil

Mikey Rossiter

Filmes

toe: DOKU-EN-KAI
Colorist
At the twenty-year apex of their career, the Japanese quartet add another captivating live release to their extensive catalog. Shot ‘in the round’ at le Poisson Rouge in NYC, DOKU-EN-KAI delivers the band completely absorbed by their element in a kinetic, impassioned and frenzied set that brings toe's renown and allure into sharp, unmistakable focus.
Troya
Colorist
A film by Gordon von Steiner
Feral
Colorist
A homeless woman living in the tunnels below New York City survives on her own terms in the days leading up to a blizzard.
Great Choice
Colorist
A woman gets stuck in a Red Lobster commercial, in Robin Comisar’s horror-comedy that won Best Short at the Overlook Film Festival.
NYC, 1981
Colorist
A24 and A MOST VIOLENT YEAR present NYC, 1981. An original short documentary featuring stories from one of the most dangerous years on record for New York City. Featuring Guardian Angels founder Curtis Sliwa, performance artist and former Warhol Factory fixture Penny Arcade, actress Johnnie Mae, Harlem street-style legend Dapper Dan, auto body shop owner Nick Rosello, and trucking union rep Wayne Walsh.
Fifty Pence
Colorist
Darren, a keen gambler, finds himself having to escort an unknown woman on the other side of Paris for a Mafioso. Struggling with the implications of his involvement in the affair, Darren is forced to reconsider his values.
Pai Nosso
Colorist
Throughout Pai Nosso (“Our Father”), an emotive short documentary directed by Clayton Vomero and produced in collaboration with The FADER, 23-year-old DJ and producer Firmeza grapples with questions of loneliness and faith. He says, unequivocally, he is not religious; but he laughs off the idea that heaven doesn’t exist. For him the truth is something unknowable, something in between. The intimate film follows him not only as he tackles these big topics, but as he eats in his kitchen, creates music in his studio, and walks around his neighborhood, Quinto Do Mocho in Lisbon, shooting the shit with his friends about dating girls. Simmering beneath these domestic scenes, darkly omnipresent, are two intertwined things: the tight, dense percussion of Firmeza’s music, and the subject of his father, who passed away in 2015.