Producer
In the middle of a mysterious insomnia epidemic that slowly takes on catastrophic dimensions, Laura (39) and Augusto (42) flee the city in their motorhome to get away from the chaos. As they move down the route, the world becomes an increasingly strange and dangerous place. Finally, Laura reveals a story that changes everything. The road is depopulating, the silence grows and it is increasingly difficult to differentiate the reality from the dream.
Director
Producer
A história é centrada no drama humano de três jovens de uma pequena cidade de Traslasierra, Córdoba, que desde lugares ideológicos muito diferentes são transformados para sempre pelas Malvinas Argentinas (Ilhas Fakland).
Director
Producer
End of the World Brothers is a story of adventure, friendship and fellowship that goes to the heart and is directed towards the whole family. It is the story of "Pato" (Topa) and Pirucha (Muni), which together with a famous band called Gang of Sun join forces to save the children from eviction "Home at the End of the World". The film advance by adventures, songs and stories up to an emotional, surprising and spectacular final.
Screenplay
End of the World Brothers is a story of adventure, friendship and fellowship that goes to the heart and is directed towards the whole family. It is the story of "Pato" (Topa) and Pirucha (Muni), which together with a famous band called Gang of Sun join forces to save the children from eviction "Home at the End of the World". The film advance by adventures, songs and stories up to an emotional, surprising and spectacular final.
Self
In 2001, during the great Argentine crisis, when the desperate and depressed population imagined that the country, like Atlantis, was going to disappear under the waters, two young people from Saladillo did not stop making video films using the inhabitants of Saladillo as interpreters. the pampa city. The films, written, filmed and finished in a very short time, are broadcast on local television, breaking audience records. The film follows the activity of the tenacious and enthusiastic Fabio Junco and Julio Midú and their relationship with the neighbors who, in addition to being actors, provide them with all the facilities so that they can make their films. It is the beginning of what will later be known as “cinema with neighbors”, who consider this involvement as a kind of therapy and escape from a particularly adverse daily life.
