Director of Photography
Um dramaturgo que começa a se desvendar mentalmente não consegue decidir se está no centro de uma trama manipuladora ou simplesmente perdendo o controle da realidade.
Writer
Um dramaturgo que começa a se desvendar mentalmente não consegue decidir se está no centro de uma trama manipuladora ou simplesmente perdendo o controle da realidade.
Director
Um dramaturgo que começa a se desvendar mentalmente não consegue decidir se está no centro de uma trama manipuladora ou simplesmente perdendo o controle da realidade.
Editor
Em Nova York uma mulher é perseguida e acusada de participar em um assassinato. William Vincent retorna de seu exílio com o único objetivo de salvar o amor da sua vida.
Screenplay
Em Nova York uma mulher é perseguida e acusada de participar em um assassinato. William Vincent retorna de seu exílio com o único objetivo de salvar o amor da sua vida.
Director
Em Nova York uma mulher é perseguida e acusada de participar em um assassinato. William Vincent retorna de seu exílio com o único objetivo de salvar o amor da sua vida.
Director
Day on Fire is an American film which was produced by Lodestar Entertainment and filmed in New York City and Israel in 2006. It is written and directed by Jay Anania, stars Academy Award winner Olympia Dukakis, Carmen Chaplin, Alyssa Sutherland and Martin Donovan and is produced by William Fisch and Larry Rattner. The film was scored by John Medeski with vocals by Judy Kuhn. Day on Fire was screened at the 2006 Cannes Film Festival on May 22, 2006.
Editor
Two strangers refuse to leave the seaside home of a couple, which leads to sexual tension and crime.
Director of Photography
Two strangers refuse to leave the seaside home of a couple, which leads to sexual tension and crime.
Writer
Two strangers refuse to leave the seaside home of a couple, which leads to sexual tension and crime.
Director
Two strangers refuse to leave the seaside home of a couple, which leads to sexual tension and crime.
Director
This movie is a four-character improvisation study about the romantic entanglements among the disparate occupants and visitors to a borrowed New York City apartment. Jonathan forgot that he had invited a girlfriend over. They met recently and have been seeing one another but he forgot about it as soon as he met Savannah. She was going to come over to the apartment in the afternoon as he originally thought it was going to be his for a few days (borrowing from a friend's) but due to conflicts and misunderstandings, Savannah and David (who owned the apartment) were occupied as well. Isabel shows up and they hang out until David throws them out after a heated discussion.
Kidnapper
A beautiful woman has spent a lifetime obsessing about a hit-and-run she caused years ago. She knows she struck something, but left the scene before determining what it was - and if it was alive. She's allowed this event has taken over her life, and now lives in near-isolation with an equally lonely man. When a stranger enters her life that may hold the key to her past, reality becomes stranger than nightmares, and memories cannot be trusted.
Writer
A beautiful woman has spent a lifetime obsessing about a hit-and-run she caused years ago. She knows she struck something, but left the scene before determining what it was - and if it was alive. She's allowed this event has taken over her life, and now lives in near-isolation with an equally lonely man. When a stranger enters her life that may hold the key to her past, reality becomes stranger than nightmares, and memories cannot be trusted.
Director
A beautiful woman has spent a lifetime obsessing about a hit-and-run she caused years ago. She knows she struck something, but left the scene before determining what it was - and if it was alive. She's allowed this event has taken over her life, and now lives in near-isolation with an equally lonely man. When a stranger enters her life that may hold the key to her past, reality becomes stranger than nightmares, and memories cannot be trusted.
