Josef Vondráček

Francin, manager of a small-town brewery, has a charming wife whose abundant blonde locks are an adornment to the town. Maryska looks ethereal but loves meat and beer, while Francin is an ascetic. The strict members of the brewery board of directors come to audit the accounts, but are diverted from concentrating on Francin's detailed reports by Maryska, who has organized a pig-killing feast and is ably assisting the butcher. When she invites the old curmudgeons on the board to enjoy the fresh pork, they are too happy to agree. Francin doesn't know whether he is going to get a permanent contract. To make things worse his brother Pepin - eccentric, noisy and garrulous - turns up on an indefinite visit.

It’s a hot holiday season in the city and Alena is pretty much left to her own little self, fantasizing and running her personal daily rituals, keeping most people at a safe distance, yet trying to get male attention.

The little mermaid rescues a prince from drowning and falls in love with him. To be with him, she makes a deal with the evil sorceress: her beautiful voice against a life on land. It seems to work at first, the prince is enchanted with her lovely appearance. But the memory of a foreign princess still haunts him: The one who found him on the beach where the mermaid had left him, and whom he (of course) believes to be his saviour. To resolve this mistake is too much for the mute little mermaid, and not even her father, king of all seas, can help her in the impending catastrophe.

An only son, Jirí Valenta (Jaromír Hanzlík), has been drafted to the army. At the barracks he acquires the nickname Seamstress because he sews rugs in his spare time. One day, his friend introduces him to Julka Vávrová (Jorga Kotrbová), a girl he is desperate to get rid of. The naive Jirí falls in love with the girl and accepts her invitation to spend Easter together in the country. There he learns that the girl is the single mother of the young boy Martínek, whose father is the married tractor driver.

A worker steals bits and pieces of building materials from work to construct a new home for himself and his girlfriend. When he discovers that she’s having an affair with his boss, he devises one elaborate plot after another to murder the rival, each time with pathetic results.

O engenheiro Jan Sebek (Jan Kacer) está em tratamento num manicómio depois de sua tentativa frustrada de cometer suicídio. A sua terapeuta, através de discussões tanto com o paciente como com as pessoas que o conhecem, tenta descobrir o que fez o jovem e aparentemente satisfeito decidir terminar sua própria vida. A bela esposa de Jan, Jana (Jana Brejchová), afirma não saber de nada, mas ela está a viver um caso com um amigo da família, quase publicamente, e com a bênção de seus pais.

The protagonist (Rudolf Hrusinsky) is a dull, fat, shy government clerk indulging in voyuerism and ego fantasies. In love with another clerk (Kveta Fiolova), he is urged on in his pursuit by a commiserate executive. The story is told in a flashback sequence as the cuckolded Hrusinsky attempts suicide by gassing himself in his bathtub. The "Murder" of the title is not a murder as such, rather the murder that Hrusinsky remembers planning upon discovering his wife's unfaithfulness with his supposed friend and advisor. Both plots failing in his mind, he loses himself in fantastic reveries of his funeral and of hypocritical mourners. ' Deciding (perhaps) that this is not the way out either, he gives up the attempt and imagines a life of reconciliation and eventual affluence.

Shortish forty-year old Ludvík Podzimek, lute and flute player in a Prague orchestra, is far from being an attractive man. He is nevertheless generally considered a great 'Don Juan'. Women take up with him out of a certain motherly compassion and Ludvík's tender heart does not allow him to split with any of them. His lovers thus accumulate and cause him numerous troubles.

Numa pequena cidade ainda ocupada pelos alemães enquanto a maré da Segunda Guerra Mundial está se voltando para os Aliados, o aprendiz de despachante de trens Milos não se importa com a guerra. Em vez disso, ele está obcecado por ter sua primeira experiência sexual. Apesar dos favores do chefe maquinista Masa, Milos não tem sorte. Sua busca o leva a uma combatente da Resistência que, de passagem, o recruta para a causa. Quando Milos finalmente encontra o amor, o perigo da guerra se aproxima. (e 16 - Estimado 16 Anos)

A group of outcasts, including a vagabond and a prostitute, gather at the outskirts of the industrial area of a large Czech city, one of the things that helps some of them survive is alcohol.

Based on a novel by Maria Majerova, this well-photographed but routine romantic drama is directed and co-scripted by Vaclav Krska. Set in a more old-fashioned time, the story centers around Lenka (Suzana Fisarskova), a young woman with a domineering, psychologically abusive father. When Lenka falls in love she suffers the ultimate injustice when her father and her family forbid her to marry the man. They see no advantage in such a union and want her to marry a wealthy local landowner instead, for obvious reasons. But Lenka is not as submissive as they think and she runs away to the city to look for the man she loves -- only to find a serious problem, though a surmountable one, is waiting for her.

A young Czech boy is freed from a concentration camp and now is working for the army against the Germans.