Director
Defined as an ‘animated medley’ by its maker, the film is an animated photographic tribute to cinema through a gallery of stars from the silent era onward, alternating with more or less disorienting images of various origins. Through the widest range of techniques, recombined according to an associative logic that could evoke the cinema of the dada avant-garde, but also fashion magazines from the past, Amour du Cinéma is undoubtedly a singular film with pop overtones. —Tate Modern
Luca Maria Patella composed a series of performative actions by his wife/collaborator Rosa Foschi and playwright Claudio Meldolesi in a sparse landscape. Bodies, objects and natural features are shown from different perspectives and angles, proposing a sort of visual harmony within the silent film. Through geometry, texture, movement and stasis, Patella animates, creating a sense of communion with nature on a similar wavelength to Ana Mendieta’s actions, and with a stark difference to the comparative coldness and objectivity that the work of land artists of the contemporary era would reflect.
