Leena Manimekalai

Leena Manimekalai

História

Leena Manimekalai is an independent filmmaker, poet and an actor. Her works include five published poetry anthologies and a dozen films in genres, documentary, fiction and experimental poem films. She has been recognised with participation, mentions and best film awards in many international and national film festivals.

Perfil

Leena Manimekalai

Filmes

Kaali
Director
A documentary film by Leena Manimekalai.
Maadathy
Co-Producer
This film is a tale about a young girl who grew up in the slave caste group and how she came to be immortalized as their locality, Maadathy.
Maadathy
Screenplay
This film is a tale about a young girl who grew up in the slave caste group and how she came to be immortalized as their locality, Maadathy.
Maadathy
Director
This film is a tale about a young girl who grew up in the slave caste group and how she came to be immortalized as their locality, Maadathy.
Is It Too Much to Ask?
Director
This short film follows the journey of two friends Smile and Glady - looking for a rental apartment in Chennai and the obstacles and social stigma they encounter in not just looking for a home but being single and the fact that they are transgender women.
The Sunshine
Writer
The Sunshine is about a young refugee (Armstrong) who flees from the war-torn northern Sri Lanka and embarks on a perilous journey through India, Nepal, Thailand towards an uncertain destination, leaving his childhood sweetheart on the shores that foam blood. The film looks back at the perils faced by Armstrong, a Sri Lankan Tamil, along with his epic odyssey from conflict and violence-ridden homeland, towards far corners of the world risking death, detention and deportation over the lands and seas. The Sunshine will explore the ultimate universal question how and why people get prepared to risk everything. The movie will tell the story of human struggle and not just merely make a political statement. Director Leena Manimekalai says, The Sunshine is unique and personal because it has the autobiographical touch of her friend and writer Shobasakthi.
The Sunshine
Director
The Sunshine is about a young refugee (Armstrong) who flees from the war-torn northern Sri Lanka and embarks on a perilous journey through India, Nepal, Thailand towards an uncertain destination, leaving his childhood sweetheart on the shores that foam blood. The film looks back at the perils faced by Armstrong, a Sri Lankan Tamil, along with his epic odyssey from conflict and violence-ridden homeland, towards far corners of the world risking death, detention and deportation over the lands and seas. The Sunshine will explore the ultimate universal question how and why people get prepared to risk everything. The movie will tell the story of human struggle and not just merely make a political statement. Director Leena Manimekalai says, The Sunshine is unique and personal because it has the autobiographical touch of her friend and writer Shobasakthi.
White Van Stories
Producer
White Van Stories is a documentary feature on enforced disappearances following seven characters from the families of the disappeared in North, East and South Provinces of Sri Lanka.
White Van Stories
Writer
White Van Stories is a documentary feature on enforced disappearances following seven characters from the families of the disappeared in North, East and South Provinces of Sri Lanka.
White Van Stories
Director
White Van Stories is a documentary feature on enforced disappearances following seven characters from the families of the disappeared in North, East and South Provinces of Sri Lanka.
Sengadal
Producer
Dhanushkodi, the Indo-Sri Lankan border town, is the crucible wherein History is brewing this concoction of defeated lives and exhausted dreams. Manimekalai, the filmmaker, Soori, a half-wit Sri Lankan Tamil Refugee, Munusamy, the fisherman, Rosemary, the social worker in Jesuit Christian Refugee Services, try hard to retain their sanity in this mad jumble. Their interactions with the dead or living refugees, their skirmishes with the Indian and Sri Lankan States, their personal lives overrun by external events - form the kernel of this narration.
Sengadal
Screenplay
Dhanushkodi, the Indo-Sri Lankan border town, is the crucible wherein History is brewing this concoction of defeated lives and exhausted dreams. Manimekalai, the filmmaker, Soori, a half-wit Sri Lankan Tamil Refugee, Munusamy, the fisherman, Rosemary, the social worker in Jesuit Christian Refugee Services, try hard to retain their sanity in this mad jumble. Their interactions with the dead or living refugees, their skirmishes with the Indian and Sri Lankan States, their personal lives overrun by external events - form the kernel of this narration.
Sengadal
Manimekalai
Dhanushkodi, the Indo-Sri Lankan border town, is the crucible wherein History is brewing this concoction of defeated lives and exhausted dreams. Manimekalai, the filmmaker, Soori, a half-wit Sri Lankan Tamil Refugee, Munusamy, the fisherman, Rosemary, the social worker in Jesuit Christian Refugee Services, try hard to retain their sanity in this mad jumble. Their interactions with the dead or living refugees, their skirmishes with the Indian and Sri Lankan States, their personal lives overrun by external events - form the kernel of this narration.
Sengadal
Story
Dhanushkodi, the Indo-Sri Lankan border town, is the crucible wherein History is brewing this concoction of defeated lives and exhausted dreams. Manimekalai, the filmmaker, Soori, a half-wit Sri Lankan Tamil Refugee, Munusamy, the fisherman, Rosemary, the social worker in Jesuit Christian Refugee Services, try hard to retain their sanity in this mad jumble. Their interactions with the dead or living refugees, their skirmishes with the Indian and Sri Lankan States, their personal lives overrun by external events - form the kernel of this narration.
Sengadal
Director
Dhanushkodi, the Indo-Sri Lankan border town, is the crucible wherein History is brewing this concoction of defeated lives and exhausted dreams. Manimekalai, the filmmaker, Soori, a half-wit Sri Lankan Tamil Refugee, Munusamy, the fisherman, Rosemary, the social worker in Jesuit Christian Refugee Services, try hard to retain their sanity in this mad jumble. Their interactions with the dead or living refugees, their skirmishes with the Indian and Sri Lankan States, their personal lives overrun by external events - form the kernel of this narration.
Goddesses
Screenplay
Lakshmi is a professional singer and dancer at funerals. Krishnaveni makes her living by burying and cremating unclaimed dead bodies from the rivers and streets. Sethuraku never went to school and instead took to the sea at an early age.
Goddesses
Director
Lakshmi is a professional singer and dancer at funerals. Krishnaveni makes her living by burying and cremating unclaimed dead bodies from the rivers and streets. Sethuraku never went to school and instead took to the sea at an early age.
Dhanya
Director
upcoming malayalam movie