Skinny Man
Lyubanya, a hairdresser who has lost her job, and her eleven-year-old son find themselves in a difficult situation. She tries to borrow money from his girlfriend Simkina. She agrees to help, but only on the condition that Lyubanya will help her regain the man she loved, a certain Valeriy. Lyubanya must "accidentally" get acquainted with him and pretend to be his ideal, and when he falls in love with the "woman of his dreams" — leave him. Then Simkina will appear to "glue" Valeriy's broken heart, and at the same time their broken relationship. Out of desperation, Lyubanya joins in this game, but very quickly realizes that she has fallen in love. The heroine faces the question: how to tell Valeriy the truth about himself and their "casual" acquaintance?
On the eve of the Victory Day celebrations, three old wartime friends reunite in Moscow. But they don’t get a chance to sit and recall their long-forgotten exploits. Chairman of the Veterans Foundation Kilovatov (O. Yefremov) is accused of dealings with the criminal world and put behind the bars. Former dissident Morgulis (V. Tikhonov), now residing abroad, and participant of protest rallies Dyakov (M. Ulyanov) organize the release of their friend from prison. Confronted with the cruelty of their enemies who masterminded the arrest of their wartime buddy, our heroes involve mafia and security service in the release operation, and then decide to hijack a plane.
Sashka Ryukhin
Master is a talented writer in Moscow working on a manuscript about the biblical Jesus and Pontius Pilate. Authorities in Moscow are harassing Master by surveillance and intimidation. Victimized by their harassment, Master throws his manuscript into the fire, before he is locked up in a mental clinic. His assistant and Muse Margarita tries to help Master using the supernatural powers she got from the devil - Woland who is visiting Moscow..
Multiple-value and tangled relationships between servant and boss... Imperceptible displacement of recognizable reality... Metaphysical dimension of our lives...
Story of a rough little boy in Kazakh society in the last years of the USSR, owes something to the Italian neo realist movement of the 1940s.
