René Féret

Summer 1890. In order to make some money to feed his family, Anton Chekhov, modest physician, wrote short stories for newspapers to sign Antosha Tchékhonté. Important characters, writer and editor, just make him aware of his talent. His situation is improving and Anton Chekhov gets the Pushkin prices and admiration of Tolstoy. But when one of his brothers died of tuberculosis, Anton saw it as a personal failure and wants to escape his fame and his love.

Summer 1890. In order to make some money to feed his family, Anton Chekhov, modest physician, wrote short stories for newspapers to sign Antosha Tchékhonté. Important characters, writer and editor, just make him aware of his talent. His situation is improving and Anton Chekhov gets the Pushkin prices and admiration of Tolstoy. But when one of his brothers died of tuberculosis, Anton saw it as a personal failure and wants to escape his fame and his love.

At fifty Louis Gravet, a serious actor, would like to become a comedian. His brother Peter, a film director, has the idea of hiring him for the lead role of a comedy. Family circumstances, their wives, their children, niece, lead him to make another film, new and unexpected.

At fifty Louis Gravet, a serious actor, would like to become a comedian. His brother Peter, a film director, has the idea of hiring him for the lead role of a comedy. Family circumstances, their wives, their children, niece, lead him to make another film, new and unexpected.

O novo filme do realizador francês René Féret “Mozart’s Sister”, conta a história da irmã do músico clássico, Maria Anna “Nannerl” Mozart (Marie Féret). Embora seja uma compositora e artista de mão cheia, o pai não permite que ela toque e componha pelo simples fato de ela ser mulher. Para piorar, ela será obrigada a casar e terá de deixar o seu irmão Wolfgang Mozart tocar nos concertos dela. Porém, ela consegue fazer amizade com os filhos do rei Louis XV, o que pode lhe pode dar a oportunidade de lutar contra esta opressão masculina.

O novo filme do realizador francês René Féret “Mozart’s Sister”, conta a história da irmã do músico clássico, Maria Anna “Nannerl” Mozart (Marie Féret). Embora seja uma compositora e artista de mão cheia, o pai não permite que ela toque e componha pelo simples fato de ela ser mulher. Para piorar, ela será obrigada a casar e terá de deixar o seu irmão Wolfgang Mozart tocar nos concertos dela. Porém, ela consegue fazer amizade com os filhos do rei Louis XV, o que pode lhe pode dar a oportunidade de lutar contra esta opressão masculina.

A young couple finds out what love truly means when one of them has a brush with death. When Anne and Marc met, it was love at first sight, and the longer they were together, the more they realized they never wanted to be apart. But not long after they married, Marc's doctor discoveres some unexpected symptoms...

A young couple finds out what love truly means when one of them has a brush with death. When Anne and Marc met, it was love at first sight, and the longer they were together, the more they realized they never wanted to be apart. But not long after they married, Marc's doctor discoveres some unexpected symptoms...

A young couple finds out what love truly means when one of them has a brush with death. When Anne and Marc met, it was love at first sight, and the longer they were together, the more they realized they never wanted to be apart. But not long after they married, Marc's doctor discoveres some unexpected symptoms...

A young couple finds out what love truly means when one of them has a brush with death. When Anne and Marc met, it was love at first sight, and the longer they were together, the more they realized they never wanted to be apart. But not long after they married, Marc's doctor discoveres some unexpected symptoms...

A coupe get a divorce; the father gets to keep the youngest daughter.

This tale of childhood and adolescence is told through brief sequences that take place in the life of a modest family from the Pas-de-Calais region during the forties, fifties and sixties. Paul, the main character, who we meet when he’s 5, 13 and 18, is the throughline of this tale told in a fragmentary way well adapted to the scattered nature of memories. Encounters, joy, fear, first love, friendship, disappointment, the relationship between brothers and parents, the discovery of the vocation of acting and writing: all these elements weave together to create the irreplaceable fabric of an ordinary life whose particularities guide spectators back to their own personal stories.

This tale of childhood and adolescence is told through brief sequences that take place in the life of a modest family from the Pas-de-Calais region during the forties, fifties and sixties. Paul, the main character, who we meet when he’s 5, 13 and 18, is the throughline of this tale told in a fragmentary way well adapted to the scattered nature of memories. Encounters, joy, fear, first love, friendship, disappointment, the relationship between brothers and parents, the discovery of the vocation of acting and writing: all these elements weave together to create the irreplaceable fabric of an ordinary life whose particularities guide spectators back to their own personal stories.

This tale of childhood and adolescence is told through brief sequences that take place in the life of a modest family from the Pas-de-Calais region during the forties, fifties and sixties. Paul, the main character, who we meet when he’s 5, 13 and 18, is the throughline of this tale told in a fragmentary way well adapted to the scattered nature of memories. Encounters, joy, fear, first love, friendship, disappointment, the relationship between brothers and parents, the discovery of the vocation of acting and writing: all these elements weave together to create the irreplaceable fabric of an ordinary life whose particularities guide spectators back to their own personal stories.

Rue du retrait is a film which is quite unique to René Féret for various reasons.Firstly,it is a film which he shot in his own area,near his own house.Rue de retrait is the name of the street in 20th arrondissement in Paris where Mr.Féret stays.So in a way the location afforded a lot of familiarity in terms of location to the cinéaste. Secondly,the making of this film will always remain a miracle of sorts for René Féret as no big production house was willing to finance such a brave,absolutely uncommon film in France.So this film was finally made due to René Féret's personal intervention and highly individual efforts. Its visual style was applauded by a great French filmmaker named Bertrand Tavernier who has long been one of René Féret's admirers.

June 1946: Stalin invites Russian emigres to return to the motherland. It's a trap: when a ship-load from France arrives in Odessa, only a physician and his family are spared execution or prison. He and his French wife (her passport ripped up) are sent to Kiev. She wants to return to France immediately; he knows that they are captives and must watch every step.

Manga e Sory são dois jovens africanos que se amam loucamente e querem morar juntos,mas para suas famílias a homossexualidade é uma desonra e farão o possível para separá-los.

Gravet brothers meet in Beaune during their mother's funeral.

Antoine steward on the night train Paris-Venice. He must cards and identity documents of travelers in 'his' pick wagon. One day, a passenger, Jean-Bernard, for protection. He suffers from an unknown illness and he is not alone on the run for scholars who want to use him as a guinea pig, but also for Brandeburg, a trader in human organs.

Thomas is an up-and-coming actor. His proud and loving father is watching him in a Shakespeare performance. Not long afterwards, his father dies, Thomas accidentally kills a bicyclist with his car, his girlfriend leaves him, and he develops a disorder of the inner ear. As a consequence of these and other misfortunes, he becomes depressed, attempts suicide, and has a psychotic break which lands him in a mental hospital.

Thomas is an up-and-coming actor. His proud and loving father is watching him in a Shakespeare performance. Not long afterwards, his father dies, Thomas accidentally kills a bicyclist with his car, his girlfriend leaves him, and he develops a disorder of the inner ear. As a consequence of these and other misfortunes, he becomes depressed, attempts suicide, and has a psychotic break which lands him in a mental hospital.

When a group of student actors travel to a workshop in Dordogne to put on a production of Shakespeare's As You Like It as a summer project, they are as lively and high-spirited a group as one could ask for. While they are there, the young man who has the leading role begins casting cow eyes at the director's wife (Valerie Stroh), and soon she and the boy are having an affair. By the end of the summer, the wife is sufficiently charmed to wonder how she could have gotten into this situation where she deeply loves both men.

When a group of student actors travel to a workshop in Dordogne to put on a production of Shakespeare's As You Like It as a summer project, they are as lively and high-spirited a group as one could ask for. While they are there, the young man who has the leading role begins casting cow eyes at the director's wife (Valerie Stroh), and soon she and the boy are having an affair. By the end of the summer, the wife is sufficiently charmed to wonder how she could have gotten into this situation where she deeply loves both men.

When a group of student actors travel to a workshop in Dordogne to put on a production of Shakespeare's As You Like It as a summer project, they are as lively and high-spirited a group as one could ask for. While they are there, the young man who has the leading role begins casting cow eyes at the director's wife (Valerie Stroh), and soon she and the boy are having an affair. By the end of the summer, the wife is sufficiently charmed to wonder how she could have gotten into this situation where she deeply loves both men.

When a group of student actors travel to a workshop in Dordogne to put on a production of Shakespeare's As You Like It as a summer project, they are as lively and high-spirited a group as one could ask for. While they are there, the young man who has the leading role begins casting cow eyes at the director's wife (Valerie Stroh), and soon she and the boy are having an affair. By the end of the summer, the wife is sufficiently charmed to wonder how she could have gotten into this situation where she deeply loves both men.

In this film, director Rene Feret tells the story of his parents' lives. In 1935 his mother Aline works in her parents' cafe in a mining town in northern France. There, she meets a customer, Pierre and decides she is going to marry him. In a reversal of roles, she is the one who proposes to him, and she also engineers a false pregnancy to persuade her parents to okay the match. With a few stops along the way, the story picks up after the war with the birth of the couple's third son, who is given the name Rene in memory of their first, dead son. Never rich, they achieve some level of financial stability just as their sons are about to head off to the city for college. The love between the two older people is highlighted in a poignant scene as, just as he is about to die, the father shares a champagne toast with his wife in memory of one of their happier moments.

In this film, director Rene Feret tells the story of his parents' lives. In 1935 his mother Aline works in her parents' cafe in a mining town in northern France. There, she meets a customer, Pierre and decides she is going to marry him. In a reversal of roles, she is the one who proposes to him, and she also engineers a false pregnancy to persuade her parents to okay the match. With a few stops along the way, the story picks up after the war with the birth of the couple's third son, who is given the name Rene in memory of their first, dead son. Never rich, they achieve some level of financial stability just as their sons are about to head off to the city for college. The love between the two older people is highlighted in a poignant scene as, just as he is about to die, the father shares a champagne toast with his wife in memory of one of their happier moments.

Colin and Mailland are small-time crooks on the run who are surprised to find the seven-year-old runaway Savannah is along for the ride. The police and her parents fear she has been kidnapped, and a massive manhunt is launched with orders to shoot to kill the alleged perpetrators. The lovable little girl soon melts the hearts of the crooks, as the trio enjoy an unlikely but sentimental friendship.

Charles Elaine, a famous actor, becomes the target of a man who wants to apply to him a theory according to which you can make someone crazy by manipulating him. Rella, a beautiful young woman, is designed to drive Charles crazy.

Charles Elaine, a famous actor, becomes the target of a man who wants to apply to him a theory according to which you can make someone crazy by manipulating him. Rella, a beautiful young woman, is designed to drive Charles crazy.

Charles Elaine, a famous actor, becomes the target of a man who wants to apply to him a theory according to which you can make someone crazy by manipulating him. Rella, a beautiful young woman, is designed to drive Charles crazy.

In 1856, fresh from life with nuns in an orphanage school, Alexina Barbin comes to a coastal village in La Rochelle to teach the village girls. She is deeply religious. She shares the classroom and a bedroom with the young and vivacious Sara, with whom she falls in love. Alexina has another secret: her gender is mysterious. She and Sara begin a scandalous love affair, but Alexina seeks marriage and social acceptance. She discloses her secrets to the village priest, to her mother, to the bishop, and to the bishop's physician. After the church and court rule on her petition, marriage to Sara becomes Alexina's sole purpose and hope.

In 1856, fresh from life with nuns in an orphanage school, Alexina Barbin comes to a coastal village in La Rochelle to teach the village girls. She is deeply religious. She shares the classroom and a bedroom with the young and vivacious Sara, with whom she falls in love. Alexina has another secret: her gender is mysterious. She and Sara begin a scandalous love affair, but Alexina seeks marriage and social acceptance. She discloses her secrets to the village priest, to her mother, to the bishop, and to the bishop's physician. After the church and court rule on her petition, marriage to Sara becomes Alexina's sole purpose and hope.

A young woman in a deep depression leaves her husband and returns to her parents. She discovers her father is having an affair, becomes jealous of his mistress and tries to turn his feelings in her direction.

Everybody takes advantage of Fernand who has just come out of prison.

Everybody takes advantage of Fernand who has just come out of prison.

Everybody takes advantage of Fernand who has just come out of prison.

In this complex chronicle of the evolution of a provincial family's life, the story follows three generations of at least two neighboring families from the 1890s to the 1970s. In one of many related tales, a man who was engaged to the older daughter of a farmer elopes with the younger one. After many years and the birth of five children, the man leaves his wife and family for the bright lights of the city but continues turning up from time to time, until he is finally taken into the home of one of his sons when he is a quite old man. The complex interactions of the legitimate and illegitimate children of a womanizing miner give rise to yet another set of related stories.

Based on documents compiled by leading French philosopher Michel Foucault, this unique and original film charts the gruesome events which took place in a Normandy village in 1835, when a young man, Pierre Rivière, murdered his mother, sister and brother before fleeing to the countryside. With a cast made up of real-life villagers from the area where the events took place, the detailed re-enactments and careful attention to the gestures of their ancestors serve to create an intense and sometimes disturbing atmosphere of hyper-realism. Details of the crime and of the trial that followed are told from varied perspectives, including the written confession of Pierre himself, and form a rich and complex narrative that interrogates the concepts of “truth” and “history”.

Sarah, an actress nearing her forties, has invited 3 friends to join her for a holiday in Provence. This is the prologue for what happened a year ago in Paris with a man Sarah had long considered a platonic friend. She had just finished a film, had also finished her relationship with the director and was about to receive an award…

A young man is checked into a mental hospital for unexplained reasons.

A young man is checked into a mental hospital for unexplained reasons.