Diana Sá

Diana Sá

Nascimento : 1978-05-23, Matosinhos, Portugal

Perfil

Diana Sá

Filmes

Quando o Diabo Reza
Marcelina
Duas irmãs e um bando de gandulos planeiam aliviar a conta bancária do pai destas, mas o velho não será presa fácil. Adaptação do romance homónimo de Mário de Carvalho para este filme de Fabiana Tavares integrado no projeto Contado Por Mulheres.
Azul
Ara has always believed she will vanish when she turns 28 years old. As her birthday approaches, she submerges in the most fundamental sensations of existence. A masterful debut film from director-writer Ágata de Pinho, whose performance leads her character from trauma to catharsis in the most beautiful way.
Kinorama - Cinema Fora de Órbita
In 2016, Edgar Pêra released The Amazing Spectator, a playful investigation into cinema’s disquieting essence that had everything from negative film images of boobs and positively splendid interviews to a donkey hand puppet. The film and an accompanying book formed his PhD thesis. But as so often with him, projects turn into obsessions – especially when there are masses of notions not pondered, thoughts not elaborated upon. And so KINORAMA - Beyond the Walls of Cinema was born, a stand-alone continuation of The Amazing Spectator that looks at cinema’s future in cyberspace and, accordingly, perhaps the end of its enslavement to figurative representation, the 'stupid sacred in narrative cinema' (to use a Pêra’ism), realism and artificiality in 3D cinema, and many other aspects.
Caminhos Magnétykos
Adherent to Ktulu
During a night of humiliation, Raymond lives an inner revolt and a kaleidoscopic journey in a country that is about to collapse.
Bad Investigate
Quando Romeu, um subcomissário da polícia corrupto, obriga dois canastrões que tem no bolso, Alex e Cid, a ludibriar o agente Sam Folkes do FBI, o caldo está internacionalmente entornado. A sua missão de perseguir Xavier, um perigoso traficante em rota de vingança, tem tudo para correr mal.
The Amazed Spectator
Spectator
A kino-investigation about spectatorship, a continuous conversation between different kinds of spectators: which one is more cinema: Citizen Kane on a mobile phone or a football game projected in a cinema theatre? What is the cinema of uncertainty? How many kinds of amazement exist? Does fear and belief precede amazement? What are the rights and duties of the spectator? Is the essay film a manifesto against voyeurism? Should spectators be paid? What amazes the spectator of this day and age?
Ornamento e Crime
Enfermeira Emília
I am the double of the shadow of my own image. An allegory that occupies my place. This is my act of contrition. Beyond good and evil, I stand as an equation: Its result cannot be manipulated By morals or ethics. In mathematics there is no place for beliefs Just as life and death Are a certain fate.
A Caverna
Um grupo de espectadores preso numa sala de cinema.
3x3D
A triptych of short stereoscopic films by Peter Greenaway, Jean-Luc Godard and Edgar Pêra. Includes "The Three Disasters" by Godard, "Cinesapiens" by Pêra and "Just in Time" by Greenaway.
Tebas
Atalanta
Free adaptation of Sophocles classic tragedy “King Oedipus” crossed with Jack Kerouac's classic “On the Road”. The starting point is the loss of identity of a generation of Portuguese emigrants. Tebas tells the story of a young man who, looking for his origins, departs from Paris to Portugal with a beatnik truck driver. The film is a voyage into the strange depths of Portugal in the form of surreal road-movie.
O Rio do Ouro
Flower Saleswoman
Anos 50. Aldeia de Barquinha, margens do Rio Douro. Casada já madura com António, mestre de uma draga regressado de muitos anos no Brasil, Carolina é guarda da passagem-de-nível. Ciumenta, agressiva, tem uma afilhada, Melita, que enfraquece a cabeça dos homens - sobretudo, aqueles que Carolina tem ou traz debaixo de olho. Em especial Zé dos Ouros, um cigano que vende ouro. Até que Carolina comete um crime sanguinário - mata António, uma grande e horrível tragédia, pois ele estava inocente das suas suspeitas.
A Luz Era uma Pausa
New film by Luís Costa, based on the novel 'Grito' by Rui Nunes.