Pak Tile

Pak Tile

Nascimento : 1933-02-20,

Morte : 1998-11-02

História

Enun Tile Mahdami (20 February 1933 – 2 November 1998) was a Betawi comedian and lenong player. This illiterate actor is widely known by the public after taking part in the soap opera Si Doel Anak Sekolahan as Si Doel's grandfather or Engkong Ali.

Perfil

Pak Tile

Filmes

Pencet Sana Pencet Sini
Pak Tile (Polisi Bohongan)
Dono (Wahyu Sardono), Indro (Indrojoyo Kusumo) and Kasino (Kasino Hadiwibowo) really want to have a car, but they don't have money. So the arrival of Uncle Dono, Dewo Sastro (Tisna S. Brata), was used to request a car. Unfortunately Dewo Sastro was very stingy, Dono's request was not granted. They don't run out of mind. With the help of his friends, Dono's kidnapping plays were arranged by real villains, Mata Satu (S. Parya) who happened to be an acquaintance of Indro. Criminals ask for a ransom from Dewo Sastro, which is enough to buy a car. But by Mata Satu, the ransom requested is far greater than originally agreed. Dono was even kidnapped real and really would be killed if his request was not granted. But Dewo Sastro still doesn't want to redeem Dono. Forced by Kasino, Indro and his female friends tried to save Dono. Later Dewo Sastro actually presented a luxury car to Dono because he had succeeded in arresting Mata Satu.
Si Manis Jembatan Ancol
Mariam Si Manis Ancol Bridge (Diah Permatasari) and her best friend, Karina (Ozy Syahputra) saved Gilang (Ari Wibowo) whose spirit they found when her body was in a coma in the hospital because of an assassination attempt by Iwan (Dicky Wahyudi). Through a hilarious struggle against fellow spirits named Jin Volker (Udin Pumpkin), Gilang's life has finally been returned to his body and returned to normal life with his girlfriend, Nina who will be captured by Iwan
Bebas Aturan Main
Tile/ Satpam
Dono, Kasino and Indro lose their pants while they are defecating in a public toilet at an entertainment spot. As a last resort to cover up his embarrassment, Dono steals the pants of the man in the stall next to him. As it turns out, this man is the father of three young women that Dono, Kasino and Indro start going out with. The story, which is little more than a bunch of skits wrapped up together, starts from here.
Pintar-pintaran
Kadir and Doyok come to Jakarta looking for jobs. They run up against massive challenges due to their own lack of abilities. After they fail a magicians. They try becoming salesmen, then house painters, and then parking attendants. Finally, Rosa (Baby Zelvia), Kadir’s cousin, tries to help them, but, as usual, the whole thing comes to naught.
Boleh Dong Untung Terus
This time, Kadir and Doyok play a couple of buddies who end up in prison over and over again for various infractions of the law. Initially, they rob a bank, then they escape jail and are recaptured and sentenced for that too. The film fishes for laughs throughout, especially in scenes involving Rosa (Nyoman Ayu Lenora) as Doyok’s girlfriend. At the end of the story, the two convict friends end up in prison again with absolutely no hope of further escapes.
Salah Masuk
Penumpang Lift
The trio of Dono, Kasino and Indro, are working for an advertising firm. The story begins with the three comedians running here and there, exploiting every opportunity toward humor. Initially, Dono becomes enamored of a belly dancer, whom Indro hits on while Dono is away. It turns out that the belly dancer is being used by a blackmailer to extort money. Then the trio embarks on an effort to make a beer commercial with a chubby actress, Yuli (Tarida Gloria), who makes a big mess of the film shoot. Whatever storyline exists then disintegrates into a series of totally unrelated comedic sketches.
Masuk Kena Keluar Kena
Kepala Suku
Dono (Wahyu Sardono), Kasino (Kasino Hadiwibowo) and Indro (Indrojoyo Kusumo) get lost and end up on an island where the only occupants are beautiful young women, except for the tribal chief (Tile) and his three obese daughters. Dono and friends are forced to flee the island when the chief decides they have to marry his daughters. Back at home, Dono meets up with Merry (Fortunella). As usual, Dono and Kasino, along with Indro and Merry, Winny (Kiki Fatmala) and Nia (Sally Marcelina) end up on the beach surrounded by lovely young women in bikinis. The relationships of these three pairs are extremely volatile. Suddenly, as man dressed in Arab garb, accompanied by bodyguards, shows up claiming that Merry has been designated as his wife in an arranged marriage. Kasino defeats the bodyguards, who end up in the hospital. The comedic scenes then shift to the hospital and eventually back to the trio’s home again before the film’s end.
Bisa Naik Bisa Turun
Not unlike the other Warung Kopi (Warkop) comedies featuring (Dono, Kasino and Indro), this film is also made up of a series of comedic skits featuring plenty of pretty faces and beautiful bodies. In this film, initially the Warkop trio are training to become security guards, whose commandant turns out to be a patient from a mental hospital. Then, they masquerade as women in order to get jobs at a company that is only hiring women. All of their career attempts end humorously.
I Can Hold It Long
Bellboy
As usual, this comedy featuring Dono, Kasino and Indro is more driven by a series of comedic skits than a unified storyline. This story, built around the three comedians, also features two beautiful young women, Linda (Sally Marcelina) and Christin (Nurul Arifin), who have been talked into moving from their dormitory to stay with the trio at their house. Linda is Kasino’s girlfriend, while Christin is dating Indro. Initially this comedy depicts the three friends appearing on a television program. Then the producer, who promises them more screen time, talks them into judging a beach beauty contest, so the film setting jumps to the beach. While there, the potential beauty queens attempt to seduce the three men. Linda and Christin, who are very angry at this, plan revenge against the three friends. The film then moves to an island where a film shoot is going on.
Curi-curi Kesempatan
Kanan Kiri OK III
The couple, Rio (Ray Sahetapy) and Anita (Ida Iasha), lives next door to their close friends Goro (Zainal Abidin) and Tati (Dien Novita). Both couples have a male relative living with them; Doyok (Doyok Sudarmadji) stays with Rio and Anita, and Kadir (Kadir) stays with Goro and Tati. The daily behavior and interactions of these neighbors shift when Vina (Nurul Arifin), a very beautiful and attractive friend of Anita’s, comes to visit. Rio and Goro are both very attracted to Vina and make every effort possible to get close to her, particularly when everybody goes off on holiday together.
Jangan Bilang Siapa-siapa
Newlyweds Merry (Lydia Kandou) and Andi (Ray Sahetapy) have to say goodbye to Anita’s parents who are going abroad for a holiday. Aunt and Uncle (Zainal Abidin, Ida Kusumah) have been asked to watch over them. While Merry and Andi are at the airport to see the parents off, a sweet looking girl comes up and kisses Andi and gives him a message for another young woman. Confusion ensues. Merry becomes suspicious. In the midst of this atmosphere of suspicion, Andi has to take part in an office meeting in Puncak. Even worse, after the meeting, Andi’s boss invites him to a party and after that Andi has to go to Bandung on business. Andi calls Merry, who has taken Andi’s joking around with his servant Kadir about women seriously, to inform her of these plans, and she tells him that she wants to separate from him.
Antri Dong
Pak Tile
The film tells the story of a middle-class young man named Dendy who is rich and lives in a big house with a driver and a loyal servant.
Kanan Kiri OK II
In this sequel, Anita and her husband, Rio, are offered to act in a film. Kadir, their housekeeper, wants to join in. Their neighbour, Tati, and her housekeeper, Doyok, also want to join in. Rio, Anita, and Kadir pass the selection, after deceiving Tati and Doyok. Then a misunderstanding happens. Rio, Anita, and Kadir are misconstrued as having a fight when they are actually rehearsing a scene. Meanwhile Tati, who often uses the phone at Rio’s house to contact the director, is suspected of having an affair, leading to more comedy of errors. It seems to be an intention to criticize the film industry.
Sabar Dulu Dong...!
Pak Komar
The Warkop DKI team - Dono, Kasino, Indro – returns with two female friends, Winny and Anita, to manage an ugly old hotel, and transform it into a proper hotel. The managing of the hotel becomes fodder for the comedy: a female guest who turns out to be the younger sibling of the room renter; Dono who really likes rats; a dead person in the hotel; a sleepwalking guest, etc.
Makelar Kodok
Fifi (Paramitha Rusady) runs away from home as she does not want to marry the man chosen for her by her parents. She then meets Kadir (Kadir), an honest but unlucky young man, who has come to Jakarta with his younger brother, Doyok (Doyok Sudarmadji), to try their fortune. Failing, Doyok returns alone to his village. Kadir also goes home to the village, but with Fifi. But as a city person from a rich family, she is not used to the village life. Kadir keeps working for her, such as selling frogs, which is a mistake as the frogs he sells are not edible. The inedible frog becomes a big joke. Finally, Kadir and Fifi return to the city just when Fifi is going to be engaged to Tomo (Rudy Salam), her parents’ intended. But Fifi is already in love with Kadir. Kadir leaves because he does not want to be insulted, but Fifi goes after him and runs away from home.
Dorce Sok Akrab
Pak Slamet
Coincidentally, Sugeng and Slamet both have twin children and gave both sets of twins the same names, Dorce and Donny. Both sets of twins then go separately to Jakarta, while Rudi, son of Koco, is sent to pick up Sugeng’s twins, but instead, picks up Slamet’s children, who have arrived first. Then Sugeng’s twins also go to Koco’s house where they meet the other pair of twins to create confusion and silliness. Finally Sugeng and a talent seeker arrive and the misunderstanding is resolved.
Fanning to Get Fresh Air
The story revolves around the people of a slum village alongside that of a modern, luxury hotel.
Love in the Flats
A caricature sketch of life in a modest flats.