Alessandro Ruzzolini

Commissario Paolo Ferro (Maurizio Merli) stars as a (typical) tough cop again. This time he returns to the city of Milan to go after a murder corporation. Acampora (Mario Merola) is believed to be the prime suspect although he later proves to be one of the mafia's targets. As if all that wasn't enough, Paolo has to face his own nephew who seems to be involved in all sorts of dirty business.

Intransigent magistrate Viola Orlando is targeted by her rivals who set her twin sister Rosa — a high-class prostitute and pornographic photo-novel star — up to impersonate Viola and demolish her reputation. To complicate things even further, Viola is torn between enforcing the law or giving up her seat on the bench to marry her childhood friend.

After the 1815 Restoration, an aging revolutionary finds himself reluctantly involved in an attempted insurrection in Southern Italy while growing increasingly disillusioned with his cause.

Capítulo final da trilogia de Pasolini inspirada em contos clássicos do erotismo, que se iniciou com "O Decameron" e "Os Contos de Canterbury." Aqui a história é centrada num jovem que se apaixona por uma escrava. Um homem começa uma viagem à procura de sua amante, uma bela escrava chamada Zumurrud, que foi raptada por um ser de olhos azuis. No caminho de sua longa busca, seu caminho vai cruzar com uma série de outros personagens envolvidos em traições, cobiças e desejos.

An aging American millionairess journeys to Rome each year with her chauffeur George to play the card game scopone with destitute Peppino and his wife Antonia.

Em Praga, um jornalista americano investiga o desaparecimento repentino da namorada. Com trilha de Ennio Morricone e excelente elenco, essa pequena obra-prima é um giallo original que antecipa “De Olhos Bem Fechados.”

No início da Revolução Mexicana em 1913, o bandido mexicano Juan Miranda e o idealista irlandês John H. Mallory, especialista em explosivos, se encontram com um grupo de revolucionários que estão planejando roubar um banco nacional. Quando se descobre que o governo vem usando o banco como esconderijo para presos políticos ilegalmente detidos, que são liberados pela explosão. Miranda se torna um herói revolucionário contra a sua vontade.

Nino Manfredi is a police captain, giving an onlooker's point-of-view towards the decadent society folk. Party itself features a down & out baron, who dances with the party's glamorous hostess Virna Lisi so that he can steal her valuable earrings. When they're missing, she's angry enough to call in the cops (Manfredi shows up) and have the baron taken away.

Metello struggles to escape from the poverty that led to the premature death of his parents, and that is the lot of the working class in northern Italy during the second half of the 19th century. Metello fights his way out from his condition through hard work, a determined will to resist oppression inherited from his father, but also by taking advantage of his good looks when dealing with women. Metello progressively assumes an important role in the organization of an emerging workers movement, and attempts to conciliate his risky political activities with his private life.

A young student joins her rich lawyer stepfather and then her mother who the selfish man does not love, for a summer vacation in Sardinia with the man's posh friends

Pier Paolo Pasolini viajou por toda a Itália, de fábricas a praias, entrevistando transeuntes sobre suas atitudes em relação ao sexo. Com o microfone em mão, ele os questiona sobre diversos tópicos: a importância do sexo na vida cotidiana, prostituição, homossexualidade, a legalização do divórcio.

The film's theme is four episodes that offer the public a glimpse into the lives of rich and poor families in Italy in the 1960s.