Director
‘Zizi & Me’ is a double act between drag queen 'Me The Drag Queen', and a deepfake (A.I.) clone of 'Me The Drag Queen'. By training a neural network* on filmed footage this network learnt to construct a virtual body that can be controlled by feeding it new reference movements. The first act 'Anything You Can Do (I Can Do Better)’ satirizes the idea that an AI is something that we might mistake for a human. Through drag performance, we aim to use cabaret and musical theatre to challenge narratives surrounding A.I. and society.
Director
‘Zizi & Me’ is a double act between drag queen 'Me The Drag Queen', and a deepfake (A.I.) clone of 'Me The Drag Queen'. By training a neural network on filmed footage this network learnt to construct a virtual body that can be controlled by feeding it new reference movements. The first act 'Anything You Can Do (I Can Do Better)’ satirizes the idea that an AI is something that we might mistake for a human. Through drag performance, we aim to use cabaret and musical theatre to challenge narratives surrounding A.I. and society.
Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.
Director
‘Zizi - Queering the Dataset’ aims to tackle the lack of representation and diversity in the training datasets often used by facial recognition systems. The video was made by disrupting these systems and re-training them with the addition of 1000 images of drag and gender fluid faces found online. This causes the weights inside the neural network to shift away from the normative identities it was originally trained on and into a space of queerness. ‘Zizi - Queering The Dataset’ lets us peek inside the machine learning system and visualise what the neural network has (and hasn’t) learnt. The work is a celebration of difference and ambiguity, which invites us to reflect on bias in our data driven society.
