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In ancient China, there is a poet named Lo who lives in the emperor’s palace. While the hardworking people long for peace and happiness, Lo writes hymns in honor of the militant emperor, who is perpetually hungry for conquest. The monarch is pleased by the poet’s words, but the people do not want to hear the hymns praising him anymore. Lo is completely unaware of this and is surprised when the kitchen maid Hsi-Hua refuses to sing his hymns. With her help, Lo learns what the people really want and is able to see how cruel the emperor is.
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In works like “Guide Dog Ruepel” (1962), Bärbl Bergmann was the first feature film director in the GDR to portray children in their often pitiless but also honest dealings with each other, something that was almost impossible in the documentary films of that period. But she also managed to sneak lessons on how to pursue educational goals with creative obstinacy into popular science films. Thus her educational piece about two boys who discover that magic, too, requires hard work, despite its rational approach, is far from disenchanting: The protagonists reach their conclusion via detours that take them through mysterious corridors, furtive looks through keyholes and bewitching dreams.
