Choreographer
Fencer
No Woman is allowed into Karlstejn Castle! Yet the enamoured Daniele Kolářová and the equally enamoured Jana Brejchová manage to spend one night in disguise in the Castle despite the strict royal ban.
Fight Choreographer
The life of the famous French writer Alexander Dumas the Elder. Screenwriter Jaroslav Dietl did not hide his admiration for this literary giant, and in addition to the screenplay he also wrote a three-part TV play about Dumas (starring Vladimír Menšík). In Kachyn's film, Dumas played the father and son of the Štěpánková brothers, and it was a very difficult and difficult task for these young actors.
Fight Choreographer
Swordsman
The hero of this popular fairy tale is a young prince who, after the death of his parents, goes out into the world. During his travels he meets a magical talking horse and falls in love with the beautiful princess Slavna. On the advice of his horse, he binds one eye and pretends to be dumb and enters into service as the castle gardener.
When a comet passes the Earth very closely, it pulls a small part of North Africa, and a small swathe of humanity, along with it.
The young Prince Charles (Jaromír Hanzlík), the future King of his country Charles IV, is being educated at the French court in the company of his fiancée Blanche (Daniela Kolárová). One day he receives a summons from his father John of Luxembourg (Milos Kopecký) in Italy. He leaves for Italy accompanied by a deputation from Bohemia. On the way the prince's company fights a battle with armed Milanese against heavy odds. Thanks to Charles's perspicacity, the prince's almost naked soldiers win through. In Lucca in Italy Charles joins his father, and here he experiences an amorous adventure and escapes from the traps laid by the Italian rebels.
This historical film by Hynek Bočan touches upon the indecisiveness of the Czech nation, ready to bend the backbone in face of foreign rule. Situating the story at the close of the Thirty Year War enabled the depiction of the misery of the people that affects even an impoverished aristocratic milieu. Rudolf Hrušínský appears here in the role of an indecisive knight, persuaded for a long time and in vain to join the anti-Habsburg movement. The story does not only captivate through the depiction of manifold human characters, intrigues and sycophancy, but also through the circumstances ruling over the devastated farmstead, sunk in mud and crudeness. One of the best films with an updating tendency has come into being here, rightly being named along the such greats as Kladivo na čarodějnice (Witches' Hammer).
