Novel
In this film, African-American Leroy Collins struggles with the onus placed on him by Society when he falls in love with a white woman.
Director
In this film, African-American Leroy Collins struggles with the onus placed on him by Society when he falls in love with a white woman.
Producer
Gangsters use a woman to get to a boxer and convince him to throw a big fight.
Writer
Gangsters use a woman to get to a boxer and convince him to throw a big fight.
Director
Gangsters use a woman to get to a boxer and convince him to throw a big fight.
Producer
Uma cantora de boate se recusa a "namorar" clientes, então ela é acusada pelo assassinato de sua tia, condenada pelo assassinato e enviada para a prisão. No entanto, sua amiga, que é detetive da polícia, não acredita que tenha feito isso e se propõe a provar sua inocência.
Writer
Uma cantora de boate se recusa a "namorar" clientes, então ela é acusada pelo assassinato de sua tia, condenada pelo assassinato e enviada para a prisão. No entanto, sua amiga, que é detetive da polícia, não acredita que tenha feito isso e se propõe a provar sua inocência.
Director
Uma cantora de boate se recusa a "namorar" clientes, então ela é acusada pelo assassinato de sua tia, condenada pelo assassinato e enviada para a prisão. No entanto, sua amiga, que é detetive da polícia, não acredita que tenha feito isso e se propõe a provar sua inocência.
Producer
Ted Gregory is trying to be the first black producer to mount a show on Broadway, but he has trouble with his star singer.
Screenplay
Ted Gregory is trying to be the first black producer to mount a show on Broadway, but he has trouble with his star singer.
Director
Ted Gregory is trying to be the first black producer to mount a show on Broadway, but he has trouble with his star singer.
Producer
Naomi, a light-skinned Black child, is abandoned by her mother and raised by the virtuous Mrs. Saunders. When the girl's fixation with whiteness turns her against her own race, she is sent to a convent. Hopelessly in love with her adoptive brother Jimmie, Naomi consents to marry his friend, but is repulsed by his darker skin and unrefined ways.
Screenplay
A black Harvard graduate faces racism and discrimination after returning to his small Tennessee hometown, where he hopes to develop a school similar to Tuskegee Institute or Hampton Institute, both historically black colleges.
Director
A black Harvard graduate faces racism and discrimination after returning to his small Tennessee hometown, where he hopes to develop a school similar to Tuskegee Institute or Hampton Institute, both historically black colleges.
Screenplay
Naomi, a light-skinned Black child, is abandoned by her mother and raised by the virtuous Mrs. Saunders. When the girl's fixation with whiteness turns her against her own race, she is sent to a convent. Hopelessly in love with her adoptive brother Jimmie, Naomi consents to marry his friend, but is repulsed by his darker skin and unrefined ways.
Director
Naomi, a light-skinned Black child, is abandoned by her mother and raised by the virtuous Mrs. Saunders. When the girl's fixation with whiteness turns her against her own race, she is sent to a convent. Hopelessly in love with her adoptive brother Jimmie, Naomi consents to marry his friend, but is repulsed by his darker skin and unrefined ways.
Producer
A young college student falls under the influence of a murderous gambler.
Writer
A young college student falls under the influence of a murderous gambler.
Director
A young college student falls under the influence of a murderous gambler.
Producer
A Black night watchman at a chemical factory finds the body of a murdered white woman. After reporting it, he finds himself accused of the murder.
Writer
A Black night watchman at a chemical factory finds the body of a murdered white woman. After reporting it, he finds himself accused of the murder.
Director
A Black night watchman at a chemical factory finds the body of a murdered white woman. After reporting it, he finds himself accused of the murder.
Director
Helen Ware, an artist's model, known as the Brown Venus is sad, discouraged and unhappy. When her men friends learn that she often poses nude, they try to become unduly "friendly" or just shun her, with the result that a beautiful girl with the figure of a Goddess finds herself without a lover. In desperation, she goes to a notorious night club and is later seen about to start on the downward trail.
Writer
Gangsters in Harlem make plans to commit a kidnapping.
Director
Gangsters in Harlem make plans to commit a kidnapping.
Producer
A movie producer offers a nightclub singer a role in his latest film, but all he really wants to do is bed her. She knows, but accepts anyway. Meanwhile, a patron at the club gets a note saying that she'll soon get another note, and that she will be killed ten minutes after that.
Writer
A movie producer offers a nightclub singer a role in his latest film, but all he really wants to do is bed her. She knows, but accepts anyway. Meanwhile, a patron at the club gets a note saying that she'll soon get another note, and that she will be killed ten minutes after that.
Director
A movie producer offers a nightclub singer a role in his latest film, but all he really wants to do is bed her. She knows, but accepts anyway. Meanwhile, a patron at the club gets a note saying that she'll soon get another note, and that she will be killed ten minutes after that.
Producer
An undercover government agent on a case in Mississippi meets and falls in love with a beautiful young woman who's being menaced by a local crime boss.
Writer
An undercover government agent on a case in Mississippi meets and falls in love with a beautiful young woman who's being menaced by a local crime boss.
Director
An undercover government agent on a case in Mississippi meets and falls in love with a beautiful young woman who's being menaced by a local crime boss.
Producer
A young woman plans to marry, but her mother and brother--a lawyer--don't like her prospective husband and scheme to prevent the marriage.
Screenplay
A young woman plans to marry, but her mother and brother--a lawyer--don't like her prospective husband and scheme to prevent the marriage.
Director
A young woman plans to marry, but her mother and brother--a lawyer--don't like her prospective husband and scheme to prevent the marriage.
Novel
Um homem negro deixa Chicago e se torna um próspero fazendeiro, mas retorna ao se apaixonar por uma mulher branca e acaba se envolvendo com uma antiga paixão.
Producer
Um homem negro deixa Chicago e se torna um próspero fazendeiro, mas retorna ao se apaixonar por uma mulher branca e acaba se envolvendo com uma antiga paixão.
Writer
Um homem negro deixa Chicago e se torna um próspero fazendeiro, mas retorna ao se apaixonar por uma mulher branca e acaba se envolvendo com uma antiga paixão.
Director
Um homem negro deixa Chicago e se torna um próspero fazendeiro, mas retorna ao se apaixonar por uma mulher branca e acaba se envolvendo com uma antiga paixão.
Producer
With a series of long takes and frontal camera set-ups, Michaeux provides a record of several cabaret acts, using intertitles to separate the individual numbers. This quietly outrageous film begins with the high-toned Heywood Choir singing "Watermelon time" and concludes with Amon David playing a preacher using heavy blackface. Amon Davus was known as "the Back Biting Comedian, Par Excellence", and his sermon is one of Michaeux's many notable send-ups of the clergy.
Writer
With a series of long takes and frontal camera set-ups, Michaeux provides a record of several cabaret acts, using intertitles to separate the individual numbers. This quietly outrageous film begins with the high-toned Heywood Choir singing "Watermelon time" and concludes with Amon David playing a preacher using heavy blackface. Amon Davus was known as "the Back Biting Comedian, Par Excellence", and his sermon is one of Michaeux's many notable send-ups of the clergy.
Director
With a series of long takes and frontal camera set-ups, Michaeux provides a record of several cabaret acts, using intertitles to separate the individual numbers. This quietly outrageous film begins with the high-toned Heywood Choir singing "Watermelon time" and concludes with Amon David playing a preacher using heavy blackface. Amon Davus was known as "the Back Biting Comedian, Par Excellence", and his sermon is one of Michaeux's many notable send-ups of the clergy.
Writer
Con artists try to trick an old man out of his life savings.
Director
Con artists try to trick an old man out of his life savings.
Writer
A US cavalry officer rescues a mulatto girl, raised in Africa, from slavers.
Director
A US cavalry officer rescues a mulatto girl, raised in Africa, from slavers.
Writer
A lost film. Remade by Micheaux as a sound film, The Girl from Chicago (1932).
Director
A lost film. Remade by Micheaux as a sound film, The Girl from Chicago (1932).
Writer
Directed by Oscar Micheaux.
Director
Directed by Oscar Micheaux.
Producer
"Pastor hipócrita e malévolo abusa da fé de pequena comunidade, sobretudo da irmã Martha Jane, cuja filha ela sonha ver casada com o ministro. Ele, porém, estupra a jovem inocente e a força a roubar as economias da mãe." - Sinopse retirada do catálogo da mostra Oscar Micheaux: Cinema Negro e a Segregação Racial.
Screenplay
"Pastor hipócrita e malévolo abusa da fé de pequena comunidade, sobretudo da irmã Martha Jane, cuja filha ela sonha ver casada com o ministro. Ele, porém, estupra a jovem inocente e a força a roubar as economias da mãe." - Sinopse retirada do catálogo da mostra Oscar Micheaux: Cinema Negro e a Segregação Racial.
Director
"Pastor hipócrita e malévolo abusa da fé de pequena comunidade, sobretudo da irmã Martha Jane, cuja filha ela sonha ver casada com o ministro. Ele, porém, estupra a jovem inocente e a força a roubar as economias da mãe." - Sinopse retirada do catálogo da mostra Oscar Micheaux: Cinema Negro e a Segregação Racial.
Writer
A Son of Satan is a 1924 silent race film directed, written, produced and distributed by Oscar Micheaux. The film follows the misadventures of a man who accepted a bet to spend a night in a haunted house. Micheaux shot the film in The Bronx, New York, and Roanoke, Virginia. A Son of Satan ran into distribution problems when state censorship boards rejected the film based on its contents. New York censors objected to the film’s depiction of violence, particularly against women and animals (a cat is killed onscreen in one scene, a Ku Klux Klan leader is slain and a man chokes his wife to death), while Virginia censors complained the film’s references to miscegenation would "prove offensive to Southern ladies". In at least one state the film was banned for its title alone No print of the film is known to exist and it is presumed to be a lost film.
Director
A Son of Satan is a 1924 silent race film directed, written, produced and distributed by Oscar Micheaux. The film follows the misadventures of a man who accepted a bet to spend a night in a haunted house. Micheaux shot the film in The Bronx, New York, and Roanoke, Virginia. A Son of Satan ran into distribution problems when state censorship boards rejected the film based on its contents. New York censors objected to the film’s depiction of violence, particularly against women and animals (a cat is killed onscreen in one scene, a Ku Klux Klan leader is slain and a man chokes his wife to death), while Virginia censors complained the film’s references to miscegenation would "prove offensive to Southern ladies". In at least one state the film was banned for its title alone No print of the film is known to exist and it is presumed to be a lost film.
Writer
Birthright is a 1924 film by Oscar Micheaux in 10 reels, adapted from Thomas Sigismund Stribling's novel of the same title (1922).
Director
Birthright is a 1924 film by Oscar Micheaux in 10 reels, adapted from Thomas Sigismund Stribling's novel of the same title (1922).
Writer
The film focused on a young black man who joins the Royal Canadian Mounted Police and becomes a hero by rescuing a captive mixed-race woman from a hostile American Indian tribe. The young man later purchases a ranch that becomes the foundation for great financial wealth.
Director
The film focused on a young black man who joins the Royal Canadian Mounted Police and becomes a hero by rescuing a captive mixed-race woman from a hostile American Indian tribe. The young man later purchases a ranch that becomes the foundation for great financial wealth.
Producer
Deceit (sometimes referred to as The Deceit) is a 1923 American silent black-and-white film. It is a conventional melodrama directed by Oscar Micheaux. Like many of Micheaux's films, Deceit casts clerics in a negative light. Although the film was shot in 1921, it was not released until 1923. It is not known whether the film currently survives, which suggests that it is a lost film. The 1922 film The Hypocrite was shown within Deceit as a film within a film.
Director
Deceit (sometimes referred to as The Deceit) is a 1923 American silent black-and-white film. It is a conventional melodrama directed by Oscar Micheaux. Like many of Micheaux's films, Deceit casts clerics in a negative light. Although the film was shot in 1921, it was not released until 1923. It is not known whether the film currently survives, which suggests that it is a lost film. The 1922 film The Hypocrite was shown within Deceit as a film within a film.
Producer
The Dungeon is a 1922 race film directed, written, produced and distributed by Oscar Micheaux, considered the African-American Cecil B. DeMille due to his prolific output of films during the silent era, one of his greatest works being Body and Soul (1924). The Dungeon was his first horror effort, an early blaxploitation take on the Bluebeard legend. No print of the film is known to exist and it is presumed to be a lost film.
Director
The Dungeon is a 1922 race film directed, written, produced and distributed by Oscar Micheaux, considered the African-American Cecil B. DeMille due to his prolific output of films during the silent era, one of his greatest works being Body and Soul (1924). The Dungeon was his first horror effort, an early blaxploitation take on the Bluebeard legend. No print of the film is known to exist and it is presumed to be a lost film.
Writer
The Dungeon is a 1922 race film directed, written, produced and distributed by Oscar Micheaux, considered the African-American Cecil B. DeMille due to his prolific output of films during the silent era, one of his greatest works being Body and Soul (1924). The Dungeon was his first horror effort, an early blaxploitation take on the Bluebeard legend. No print of the film is known to exist and it is presumed to be a lost film.
Writer
A drama about the contents of a last will and testament left behind by an African-American sharecropper who was lynched after being falsely accused of the murder of a white plantation owner.
Director
A drama about the contents of a last will and testament left behind by an African-American sharecropper who was lynched after being falsely accused of the murder of a white plantation owner.
Producer
The Gunsaulus Mystery is a 1921 American silent race film directed, produced, and written by Oscar Micheaux. The film was inspired by events and figures in the 1913-1915 trial of Leo Frank, a Jewish man, for the murder of Mary Phagan, a Christian girl. The film is now believed to be lost.
Director
The Gunsaulus Mystery is a 1921 American silent race film directed, produced, and written by Oscar Micheaux. The film was inspired by events and figures in the 1913-1915 trial of Leo Frank, a Jewish man, for the murder of Mary Phagan, a Christian girl. The film is now believed to be lost.
Writer
The Gunsaulus Mystery is a 1921 American silent race film directed, produced, and written by Oscar Micheaux. The film was inspired by events and figures in the 1913-1915 trial of Leo Frank, a Jewish man, for the murder of Mary Phagan, a Christian girl. The film is now believed to be lost.
Producer
Racistas descobrem que, sob a terra de proprietário negro, há vastas campos de petróleo, e passam a ameaçá-lo caso ele se recusa a vendê-la.
Writer
Racistas descobrem que, sob a terra de proprietário negro, há vastas campos de petróleo, e passam a ameaçá-lo caso ele se recusa a vendê-la.
Director
Racistas descobrem que, sob a terra de proprietário negro, há vastas campos de petróleo, e passam a ameaçá-lo caso ele se recusa a vendê-la.
Producer
Sylvia Landry, professora de uma escola para crianças negras pobres no Deep South, viaja para Boston para arrecadar dinheiro ao descobrir que a instituição está quase falida. Lá, ela conhece o Dr. Vivian, que volta com Sylvia depois de se apaixonar por ela.
Writer
Sylvia Landry, professora de uma escola para crianças negras pobres no Deep South, viaja para Boston para arrecadar dinheiro ao descobrir que a instituição está quase falida. Lá, ela conhece o Dr. Vivian, que volta com Sylvia depois de se apaixonar por ela.
Director
Sylvia Landry, professora de uma escola para crianças negras pobres no Deep South, viaja para Boston para arrecadar dinheiro ao descobrir que a instituição está quase falida. Lá, ela conhece o Dr. Vivian, que volta com Sylvia depois de se apaixonar por ela.
Writer
Directed by Oscar Micheaux.
Director
Directed by Oscar Micheaux.
Producer
The Homesteader envolve seis personagens principais, sendo o principal Jean Baptiste (Charles Lucas), um herdeiro distante nas Dakotas, o único afro-americano que vive na área. Para este deserto chega Jack Stewart, um escocês, com sua filha sem mãe, Agnes (Iris Hall), que não sabe que ela é birracial. Em Agnes, Baptiste conhece a garota dos seus sonhos. O destino peculiar a jogou na companhia de Homesteader, mas, como Baptiste é negro e Agnes presumivelmente branca, seu amor é proibido por lei.
Screenplay
The Homesteader envolve seis personagens principais, sendo o principal Jean Baptiste (Charles Lucas), um herdeiro distante nas Dakotas, o único afro-americano que vive na área. Para este deserto chega Jack Stewart, um escocês, com sua filha sem mãe, Agnes (Iris Hall), que não sabe que ela é birracial. Em Agnes, Baptiste conhece a garota dos seus sonhos. O destino peculiar a jogou na companhia de Homesteader, mas, como Baptiste é negro e Agnes presumivelmente branca, seu amor é proibido por lei.
Novel
The Homesteader envolve seis personagens principais, sendo o principal Jean Baptiste (Charles Lucas), um herdeiro distante nas Dakotas, o único afro-americano que vive na área. Para este deserto chega Jack Stewart, um escocês, com sua filha sem mãe, Agnes (Iris Hall), que não sabe que ela é birracial. Em Agnes, Baptiste conhece a garota dos seus sonhos. O destino peculiar a jogou na companhia de Homesteader, mas, como Baptiste é negro e Agnes presumivelmente branca, seu amor é proibido por lei.
Director
The Homesteader envolve seis personagens principais, sendo o principal Jean Baptiste (Charles Lucas), um herdeiro distante nas Dakotas, o único afro-americano que vive na área. Para este deserto chega Jack Stewart, um escocês, com sua filha sem mãe, Agnes (Iris Hall), que não sabe que ela é birracial. Em Agnes, Baptiste conhece a garota dos seus sonhos. O destino peculiar a jogou na companhia de Homesteader, mas, como Baptiste é negro e Agnes presumivelmente branca, seu amor é proibido por lei.
