Director
While preparing to shut down the photo studio business that he has been running, a man hears that someone named Chulsu has died.
Producer
A bookseller from Seoul travels with a young woman to Fukuoka in Japan to meet a former friend from university. While their reunion is haunted by the conflicts of the past, his travel companion floats through the plot as if moving through a dream.
Writer
Director
Producer
Yoon-young has been harboring feelings for Song-hyun, a friend's wife. When he finds out that she is divorced, Yoon-young and Songhyun take a trip to Gunsan on a whim. They find lodging at an inn where the middle-aged owner lives with his autistic daughter who does not leave her room. The four become star crossed lovers in the city of Gunsan.
Production Manager
Yoon-ju dies under mysterious circumstances while working on a film. At the urging of Director Kim, her younger sister Yoon-hee starts making the film but memories of her dead sister keep haunting her. When Yoon-hee sees her sister’s apparition lying in the bathtub looking at her one day, she falls and hurts her eye. From that day on, Yoon-hee goes back and forth between herself and the dead sister and tries to keep a distance from her boyfriend Han-gi, who grows more and more concerned and tells her to quit the film. But, Kim pushes the reluctant Yoon-hee to keep working on finishing it. As she continues to shoot the film, Yoon-hee finds herself caught up in confusion as she crosses the borders between the present and the past and between reality and cinema.
Production Manager
They’re losers, but nice ones. Every day they sit at Yeri’s bar, smitten by the young Chinese-Korean woman. Yeri doesn’t have a preference. To her, they are equally sweet: Jongbin, a milk-drinking epileptic, Ikjune, a former petty criminal, and the introverted Jungbum, who fled from North Korea.
Production Manager
People have varying perceptions and definitions of love and movies. One must overcome differing opinions and disregard insignificant factors in order to achieve the end product in each aspect. However, it is these trivial features that matter in the end and leave their imprint on our souls. Whether it is for love or for movies, we must continue to question and attend to the subtle inscriptions upon our emotions.
Director
A naked man paints himself.
