Rizal Asmar

Badrowi disturbs a married woman he's in love with on her wedding night and kills her husband. He's then severely beaten by villagers and his body is thrown into a ravine. There, he gains supernatural powers from a spider and then starts terrorizing the village.

Set in Bandang in early 1930s, story concerns a young man who joins the anti-Dutch freedom movement. When his best friend is shot by police, he vows to assassinate the chief of police who gave the order to fire.

Since childhood, Nanin’s parents taught her to be a pious woman and show devotion to her husband. But Nanin has difficulties in expressing it, although her marriage with Hendrawan has been blessed with two children. As a husband, Hendrawan neglects his wife’s feelings. Hendrawan, who lives in Jakarta, starts to cheat with another woman, Eva. Eva even tells Nanin, in Bandung, about her marriage plan with Hendrawan. When Nanin’s inner turmoil reaches its peak, she meets Salman, a student of ITB (Institute of Technology, Bandung). Nanin and Salman share similar views towards life, which make them really close. Hendrawan finds out about this relationship and he is jealous. At the same time, Nanin files for divorce. Hendrawan’s mother tries to prevent the separation while her husband blames Nanin for not being able to take care of him. Nanin doesn’t care anymore. After Salman gets his engineering degree, their friendship gets closer and divorce is inevitable.

Lia’s father is imprisoned for murdering his unfaithful wife. Lia is also imprisoned for stabbing her boyfriend, Daniel who refused to take responsibility for her pregnancy. Once out of prison, her fellow inmate, Lucy, persuades Lia to become a prostitute but she refuses. Then Harun, a guy who has been pursuing her, kidnaps her sister, Nina, and asks for ransom. Love happens when Lia meets Handy, a wealthy future doctor. The relationship between Lia and Handy proceeds, although Lia hides her past, and also where she lives. Finally, when Lia pays Nina’s ransom by sleeping with a wealthy man she previously refused, Handy shows up. Handy knows Lia’s activity through Lucy. Together with her sister, she kills Harun, and also Daniel, the other kidnapper. Despite this, Handy still offers his love to Lia.

After her husband passes away, Dameria is forced to give up her daughter, Sari, to be adopted by her aunt, the spinster/lawyer, Purwanti. Dameria remarries to Zainal and lives a good life. Later, she yearns for Sari who is now a grown up. Sari knows about her intention. Dameria visits her at school, takes her for walks and lunches. Ten years later, when Purwanti is overseas for business, Sari leaves for Medan to meet her biological mother. When she returns, Purwanti goes straight to Medan. A confrontation ensues but Purwanti lets Sari decide. The girl eventually chooses to stay with her biological mother. But as time goes by, Sari feels uncomfortable with the new atmosphere and finally returns to her aunt’s home.

Amalia SH is a lawyer from the Legal Aid Institute. He visits his best friend, Frans, who is being held for extortion. Frans doesn't want to be defended. Amalia is curious. From the results of his investigation, she found Frans's diary at his parents' house. From the diary it was concluded that Frans had been naughty since childhood, his father had kicked him out for stealing. He then lived a vagrant life, until he was accommodated to become a debt collector in a company. It is in this job that he becomes acquainted with and befriends Bambang and Amalia. Frans secretly loves Amalia but doesn't dare to tell it.

Non has been depressed for some time, as she is not accepted by the family of her husband, Hans Tobing, though they already have three children. Just when Non is finally being accepted in her husband’s family, her happiness is threatened by ovarian cancer. It traumatises the family. Hans has to sacrifice everything that he can to save his wife’s life. Fortunately, Non gets her spirit back when she realises that her children still need her. That spirit is the most important element in the process of her recovery.

Agnes appears to be out of control. Her father is seldom at home while her stepmother is afraid of her. At school, she dares to confront teachers whom she considers as no good. A young teacher, Wing Ganda, tries to understand her and shows her how to use her talent. His effort is fruitful but Agnes falls in love with him. Wing tries to avoid her. When another young man attempts to approach Agnes, she makes a fool out of him. Agnes has to deal with the fact that she cannot conquer everything. Wing is unconquerable and her stepmother secretly cares about her very much. This was one of the more insightful teenage films that understood teenage psychology and was also optmistic in a realistic way.

Four teenage girls from high school classmates form a gang that emphasizes solidarity.

A dangdut singer, Oma, is dating Ani, the daughter of a plantation owner. But the girl's father tries to stop their relationship. Then Oma leaves for Jakarta and finally he becomes a major hit. Meanwhile, Ani runs away from home and her parents are worried but the story ends happily.

Sabeni or Ben is an amateur painter who lives in Puncak. He meets Grace and Yuni the sisters, who are replacing their car’s tyre. Ben helps them and thereafter goes often to see Grace. Grace is a daughter of a rich businessman and she asks him to join her band when she learns that Ben is a singer. When Grace’s father is ill, she rushes home and Ben tries to go after her even though he doesn’t know her address. He only knows the address of his friend, Bagio, located behind a tall building that is actually the office of Grace’s father. Finally, Ben becomes a famous singer but Grace’s father still disapproves. Grace is instead matched with Mansjur, who turns out to be a playboy. Thereafter, Grace’s father permits Ben to see her again.

A anti-narcotics police captain trails a drug dealer to the Philippines.

After her mother’s death, Yeyen’s father remarries and she now has a stepmother. Yeyen is then carried away by dreams and stories about stepmothers, and one day, after seeing an interesting event, she is so moved that she does not want to go home. She befriends homeless people and sees the joys of street life. Then the parents of her friend, Yoyo, help her realise that a stepmother is still a mother. She is advised to return home as her father, who accuses the stepmother of doing something bad to her, is frantic with worry. Yeyen finally goes home.

The story begins with a commotion in court during the trial session of a wild girl who was involved with pornographic photos when a former nurse appeared to reveal that the girl was the daughter of a famous tycoon in Jakarta. Meanwhile, the rich man's daughter who had just gotten married was the biological child of the wild girl's mother, who was a prostitute. The two were exchanged when their newborns were in the hospital. This melodrama is the first film in the Malaysia-Indonesia joint venture 'Bayi' Trilogy, before BAYI TABUNG (1988) and DIA BUKAN BAYIKU (1988). It is the first film under a special project, FILEM USAHASAMA MALAYSIA-INDONESIA initiative of FINAS (Malaysia) and P. T. Perfin (Indonesia) which started in the mid-1980s to the early 1990s-an effort that has produced a number of films of various genres. This project was born out of the failure of the Film Exchange Scheme project between FINAS and P. T. Perfin to screen Malaysian films in Indonesia.