Stéphanie
After the death of her father, whom she never knew, a young woman finds herself at the head of a large company.
Marianne
When their behavior and brushes with the law drive their mother to abandon them, Jonathan and Vivi hire a private detective to find her.
Nicolas Lanson, a young stockbroker, lives a fast life of money and luxury until the day his high-risk initiatives cause the fall of the bank. He flees with a price on his head. On the run, Nicolas meets Charlotte, pregnant for a man who doesn't want her. Although Nicolas isn't her type, Charlotte seduces him once she discovers his identity. Little does Nicolas know, Charlotte is not leading them to see her brother, but an older lover who just happens to be a cop.
Soeur Angèle
A french fantasy film with Christoph Waltz
An all night party in a building on the outskirts of Paris provides the setting of this provocative French meditation on life and waiting. As the title states, the film centers on seven main characters at the party. Each of them is privately waiting for something and all of them engage in conversations about the fundamental concerns of life, including love, sex, truth and responsibility. Among the seven are a pregnant woman waiting for her baby, a playboy, a gay man, and a young woman with poor taste in men. To make the film, director Francoise Etchegaray gave the actors a sense of who they were supposed to be and what they should do, placed them in a room, and let them improvise their dialog.
Vincent, a young painter with no money, is hired by a group of bored bourgeois to paint a picture of the villa they spend the summer in Brittany. As he is offered to stay overnight, Vincent witnesses the habits of his employers, each more bizarre than the other.
The story begins in a public garden where Antoine, a young director, is preparing a film with two drama students. He is in love with one of them, but he does not dare to tell her that it is because he loves her that he makes films with her. Then to give the change, he speaks to her about his conceptions of the cinema.
