Director
Anomalies transliterate a twin-channel simulation imagining the visual-semantic proximities to the medical conditions of fibrosis and thrombosis. The videos are disassociated from their provincial significations to reflect the barest textural surface of the conditions. Hindered blood channels, palpitation, restlessness, and breathing irregularities are mapped in their formalist rhythm with metaphoric linkages. The synthetic blend of visuals and noises attempts to retrace human corporeality in global systems of communication and primordial conditions of life. With the onset of the coronavirus pandemic and worldwide lockdown, it has become evident how transnational networks reconfigure in response to the often disavowed precarity of the human body. This work attempts to remember our organismic vulnerability amidst contemporary transactions.
Director
Anomalies transliterate a twin-channel simulation imagining the visual-semantic proximities to the medical conditions of fibrosis and thrombosis. The videos are disassociated from their provincial significations to reflect the barest textural surface of the conditions. Hindered blood channels, palpitation, restlessness, and breathing irregularities are mapped in their formalist rhythm with metaphoric linkages. The synthetic blend of visuals and noises attempts to retrace human corporeality in global systems of communication and primordial conditions of life. With the onset of the coronavirus pandemic and worldwide lockdown, it has become evident how transnational networks reconfigure in response to the often disavowed precarity of the human body. This work attempts to remember our organismic vulnerability amidst contemporary transactions.
Director
Farrago is an unkempt diary that generates a stream of audio-visual dissonance without an attempt to resolve it. While some parts of the varied montage traverse along with contemporary political issues, other parts blend fictional and documentary narratives to spawn a meaningless tale of a city and its fathomless vigor. This film failingly tries to construct a narrative out of small, disjointed and unassociated clips; yet, this failure itself is imbued with sporadic instances of political statements.
