Self (as Jack G. Shaheen)
The documentary exposes the ways in which America's foreign policy agenda in the Middle East drives the U.S. media's portrayals of Arabs and Muslims. The film lays bare the truths behind taboo subjects that are conspicuously avoided, or merely treated as sound bites, by the mainstream American media: "Why do they hate us?" "Why do we hate them?" What were the events that led to the 9/11 attacks? What are the politics behind the U.S.-Israeli relationship? Why is there a robust debate about these subjects in Europe, the Arab World and in Israel itself, but not in the U.S.? Valentino's Ghost provides a fresh inquiry which challenges the media's daily barrage of rhetoric and misinformation about our complex and vital relationship with this part of the world
Himself
This documentary dissects a slanderous aspect of cinematic history that has run virtually unchallenged form the earliest days of silent film to today's biggest Hollywood blockbusters. The film explores a long line of degrading images of Arabs--from Bedouin bandits and submissive maidens to sinister sheikhs and gun-wielding "terrorists"--along the way offering devastating insights into the origin of these stereotypic images, their development at key points in US history, and why they matter so much today.
Writer
This documentary dissects a slanderous aspect of cinematic history that has run virtually unchallenged form the earliest days of silent film to today's biggest Hollywood blockbusters. The film explores a long line of degrading images of Arabs--from Bedouin bandits and submissive maidens to sinister sheikhs and gun-wielding "terrorists"--along the way offering devastating insights into the origin of these stereotypic images, their development at key points in US history, and why they matter so much today.
