Editor
Three Armenias are sketched out here, brilliantly and with delicacy, through four protagonists aspiring to fulfil their dream. There is the lift operator in a hospital who wants to travel into space, the farmer in search of a perfect wife, and the young queer couple who simply want to live out their love story… while awaiting the demonstrations and hopes of the revolution.
Colorist
Lata é uma empregada doméstica de 23 anos que, com sua força silenciosa, tenta ultrapassar suas dificuldades numa casa de classe alta em South Mumbai. As portas se abrem e fecham consistentemente, dando a Lata acesso seletivo às várias realidades contraditórias que ocupam esse espaço.
Executive Producer
Lata é uma empregada doméstica de 23 anos que, com sua força silenciosa, tenta ultrapassar suas dificuldades numa casa de classe alta em South Mumbai. As portas se abrem e fecham consistentemente, dando a Lata acesso seletivo às várias realidades contraditórias que ocupam esse espaço.
Editor
The imagination of children leads us into a fantasy narrative of play, where adults are nowhere to be found and the harsh reality of nature and imagination takes over. Soon enough, however, we are brought back to earth when playtime comes to an end, in this case with the devastating closure of a unique Icelandic kindergarten.
Post Production Coordinator
Province of Ciudad Real, Spain, December 29, 1990. During the annual march to the Herrera de la Mancha prison, held in support of the members of the terrorist gang ETA imprisoned there, the Basque rock band Negu Gorriak holds a concert, which is recorded, edited on video and turned into a tool of vindication. Decades later, a film crew tries to elaborate a personal essay around this event and its meaning.
Color Grading
Province of Ciudad Real, Spain, December 29, 1990. During the annual march to the Herrera de la Mancha prison, held in support of the members of the terrorist gang ETA imprisoned there, the Basque rock band Negu Gorriak holds a concert, which is recorded, edited on video and turned into a tool of vindication. Decades later, a film crew tries to elaborate a personal essay around this event and its meaning.
Executive Producer
Province of Ciudad Real, Spain, December 29, 1990. During the annual march to the Herrera de la Mancha prison, held in support of the members of the terrorist gang ETA imprisoned there, the Basque rock band Negu Gorriak holds a concert, which is recorded, edited on video and turned into a tool of vindication. Decades later, a film crew tries to elaborate a personal essay around this event and its meaning.
Producer
Province of Ciudad Real, Spain, December 29, 1990. During the annual march to the Herrera de la Mancha prison, held in support of the members of the terrorist gang ETA imprisoned there, the Basque rock band Negu Gorriak holds a concert, which is recorded, edited on video and turned into a tool of vindication. Decades later, a film crew tries to elaborate a personal essay around this event and its meaning.
Assistant Editor
Province of Ciudad Real, Spain, December 29, 1990. During the annual march to the Herrera de la Mancha prison, held in support of the members of the terrorist gang ETA imprisoned there, the Basque rock band Negu Gorriak holds a concert, which is recorded, edited on video and turned into a tool of vindication. Decades later, a film crew tries to elaborate a personal essay around this event and its meaning.
Editor
More than a thousand autumns ago, humans arrived with their animals to a land pushed up against the Arctic Ocean. Autumns came and autumns went. Where the road ends, Úlfar, the last in a long line of farmers, lives with his wife. As autumn returns their grandchildren arrive from the city to attend the last herding of the flock. Next autumn farming will cease and all the sheep will be gone, but the landscape pushed up against the Arctic Ocean will continue to tell about that one Last Autumn.
Director
A warm memory of Tucuman childhoods called Tapalín: a clown who shouted "Long live the Homeland!" thirty years ago on TV. Now he lives without frills. It narrates the relationship between Tapalín, the singer Carlos Geomar and César Quiroga who live in the same body.
Editor
O Vale do Ave é, desde há mais de um século, um território tomado pela imposição da indústria. Entre ruínas e fábricas em funcionamento, desce-se o rio numa viagem pelas margens do presente, desenterrando as marcas do passado.
