Malcolm Conrath

The TV show "X-Treme Limit" turns into a real nightmare.

An antiques dealer misses out on some of life's pleasures because of his obsession with doing everything fast.

France, 1920s: An affluent ladies' man finds himself in love with a homely married woman.

Caroline, a teen, decides to come back to live with her mother where she meets Ben, her mother's very young lover. As Caroline begins to fantasize about Ben, she realizes that he's in love with her mother. Now, daughter and mom are at war.

Zac is a well-respected French filmmaker who creates a major uproar when for no apparent reason he suddenly vanishes from his posh Parisian apartment leaving behind his lover Helene, a popular star. Marcus, his producer searches for eight months before locating Zac who has since become a homeless street bum in an expensive neighborhood. Marcus sends Zac to a posh hotel. He then sends Daisy, an ambitious secretary and aspiring screenwriter to learn what happened to the great director. It takes a lot of mutual verbal sparring and false turns (which are presented as creatively filmed vignettes that are done using a variety of techniques) from Zac before he finally tells her the truth. The two then decide to turn the story into a film. As they write, Daisy and Zac slowly fall in love. At the same time, Marcus has his hands full trying to avoid some tough Russian Mafiosos who want the money they invested back.

A commissioned short film about the AIDS crisis in France in the late 1990s.

Rendezvous in Paris é um filme de comédia romântica francesa de 1995 escrito e dirigido por Éric Rohmer . O filme consiste em três episódios vagamente conectados que giram em torno de encontros casuais em Paris: "Le Rendez-vous de 7 heures" ("O encontro às 19h"), no qual uma estudante descobre que seu namorado está traindo ela; "Les Bancs de Paris" ("Os Bancos de Paris"), no qual uma mulher não identificada tem uma série de encontros em parques com um belo professor de literatura dos subúrbios; e "Mere et enfant 1907" ("Mãe e Filho 1907"), que leva o título de uma pintura de Picasso e centra-se em um artista que é atraído por uma estranha. As três histórias do filme são ligadas por uma garota cantando nas ruas com um acompanhamento de acordeão - uma homenagem a René Clair (1930).

Marie has had a tough childhood ever since her mother Elisa committed suicide. She has spent most of her life in an orphanage and now makes a living as a small time criminal in Paris. Now she wants to unravel her past and find her father whom she blames for her mother's death.

A young woman in a lesbian relationship keeps a diary that is stolen by a young man who loves her.

A worldly French teen is determined to escape from her current situation for a better life.