Daphné Baiwir

1976, Brian de Palma directs Carrie, the first novel by Stephen King. Since, more than 50 directors adapted the master of horror's books, in more than 80 films and series, making him now, the most adapted author still alive in the world.

1976, Brian de Palma directs Carrie, the first novel by Stephen King. Since, more than 50 directors adapted the master of horror's books, in more than 80 films and series, making him now, the most adapted author still alive in the world.

The legendary British-American actress Olivia de Havilland (1916-2020), who conquered Hollywood in the thirties, challenged the film industry when, in 1943, she took on the all-powerful producer Jack Warner in court, forever changing the ruthless working conditions that restricted the essential rights and freedom of artists.

The legendary British-American actress Olivia de Havilland (1916-2020), who conquered Hollywood in the thirties, challenged the film industry when, in 1943, she took on the all-powerful producer Jack Warner in court, forever changing the ruthless working conditions that restricted the essential rights and freedom of artists.

Reflec­tion of the soci­ety and vec­tor of the occi­den­tal cul­ture, Amer­i­can cin­e­ma influ­ences the entire world since its debuts.

A man turning 50 (Walter Faber) narrates his liaisons with three women: Hanna, who was pregnant and left him many years ago in Zurich; Ivy, who broke up with him recently in New York; Sabeth who is 20 and whom he just met on a boat to Europe. Sabeth and the narrator travel to France, Italy and Greece. But who is Sabeth? What does she feel towards the narrator? What does he feel towards her? The entire movie is shot in subjective view (we only see what the narrator sees); there are no dialogues, just his post-synchronised voice.

Maud é uma cineasta e sofre um derrame. Fragilizada, mas determinada a prosseguir com seu último projeto cinematográfico, ela conhece Vilko, um vigarista que engana celebridades, e logo se vê caindo em seu encanto manipulador à medida que sua relação parasitária perde o controle.

Breillat divide o relato em duas partes: de um lado, a ação entre Barba Azul e sua mulher, e de outro, duas meninas, contemporâneas, revisitando a famosa história infantil.

It's 1944. Since she's Jewish, young Lisa needs desperate measures to survive. Her parents send her to a childless couple's mansion, who protect Jewish children whose parents were sent or about to be sent to German camps. Twelve years later, Lisa is joined at her "French Catholic Home" by another Jewish girl, Claire. Claire comes to live with the French family, after her parents who did escape deportation and the death camps, are psychological wrecks, unable to raise her. The two girls begin a a close friendship, now 11 years after the end of World War II. But their friendship will bring old phantoms and secrets out of the closet, and will change their lives forever, revealing the truth about each one of them, and about the adoptive family.

Ordo Tupikos, a french sailor with greek origins, discover that his first wife, Estelle, with whom he had remained married a few months only 16 years earlier, is now a famous movie star called Louise Sandoli. But, more than her name, everything about Louise seems to have changed. Ordo decides to meet Estelle again, after all these years, to know what it's all about...

Paris, verão de 1942. Na França sob a ocupação alemã em plena 2ª Guerra Mundial vive Edmond (Gérard Jugnot), o dono de uma salsicharia. Sem querer Edmond toma parte da deportação da família de seu vizinho, que é judeu. Quando Simon (Jules Sitruk), o filho do vizinho, reaparece no local descobre que agora Edmond e sua família estão morando na antiga casa de seus pais. Sentindo-se culpado e querendo evitar problemas com os alemães, Edmond esconde o garoto e suas duas primas, ambas órfãs de guerra. Entretanto a situação se complica, pois torna-se cada vez mais difícil esconder as crianças do coronel Spreich (Götz Burger), a quem o genro de Edmond presta serviços.