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Zeynep has caused a traffic accident in Berlin. She escapes to her parents’ home in Turkey where her self-destructive and sexually assertive behaviour infuriates more than just her family. Looming above them like a portent is the dormant volcano Ararat.
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The high-rise building block near the forest is famous for its carefully curated community. As a dog disappears and her daughter refuses to leave the bathroom, security officer Anna faces an absurd battle against the fear, that slowly spreads among the residents and shakes the utopia with a view.
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After years of radio silence, Sharon Ryba-Kahn re-established contact with her father. She talks to him about his absence and his family. From the perspective of someone who belongs to the third generation after the Shoah, the director examines herself and her German surroundings.
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Tolga is confused. His girlfriend has left him, but he feels no sense of sadness. But he wants to change that. So he asks his best friend Burak, an imaginative guy who sells kebabs, how he could cry. Burak, who is an expert in feelings, or at least in showing feelings, offers him various techniques. But the more he tries, the more Tolga begins to question his own friendship. Up to the point where Burak asks him a very serious question…
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Sarah and her parents celebrate her confirmation. But instead of eating the lobster on her plate, Sarah hides it under the table. When her father finds the lobster there, he draws the consequences.
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Chaja Florentin and Mimi Frons have been best friends for 83 years. Born and raised in Berlin, they had to escape from the Nazis to Palestine with their families in 1934. They talk about their complicated relationship with Berlin in a Tel Aviv café where they meet everyday. A film about friendship, homeland and identity.