Susant Misra

Filmes

Josef - Born in Grace
Screenplay
An adaptation of a short story "Joseph" written by Umakanta Mahapatra and is set in the foothills of the Himalayas between 1960 and 1980 in India. Father O'Hara (Victor Banerjee), a missionary doctor with the help of his caretaker Maularam (Sudarshan Juyal), raises an orphan baby Josef (Hitesh Bisht). While still a young boy, Josef is sent to Dehradun, Uttarakhand, for his studies and vocational training. Josef (Subrat Dutta) returns back with a reputation as a great cook as well as his love for alcohol. The film explores in its unfolding of time, the different paths that Father O'Hara, Josef, and Maularam take in their respective journeys for spiritual fulfillment through memories, duty, and search as well as the their interaction with friends and acquaintances. Through static mis-en-scenes, the narrative of the film reflects the all-encompassing nature of time, pre-empting and repeating itself in allegorical hues.
Josef - Born in Grace
Director
An adaptation of a short story "Joseph" written by Umakanta Mahapatra and is set in the foothills of the Himalayas between 1960 and 1980 in India. Father O'Hara (Victor Banerjee), a missionary doctor with the help of his caretaker Maularam (Sudarshan Juyal), raises an orphan baby Josef (Hitesh Bisht). While still a young boy, Josef is sent to Dehradun, Uttarakhand, for his studies and vocational training. Josef (Subrat Dutta) returns back with a reputation as a great cook as well as his love for alcohol. The film explores in its unfolding of time, the different paths that Father O'Hara, Josef, and Maularam take in their respective journeys for spiritual fulfillment through memories, duty, and search as well as the their interaction with friends and acquaintances. Through static mis-en-scenes, the narrative of the film reflects the all-encompassing nature of time, pre-empting and repeating itself in allegorical hues.
Khyanikaa: The Lost Idea
Lazy Man
The film is a fantasy driven tale of two men, a poet and a painter, claiming possession over the same Idea, in a rural village portrayed as a wonderland. Idea is personified as a beautiful young lady, free of all bondage. The two men try to justify their claim over their Idea through their forms of art. Unable to settle the conflict, the two men approach ‘Fate’, personified as a big fat man of authority, to judge their claims. They soon realize that Idea is no one’s possession and it isn’t wise to rely on ‘Fate’ for a judgement. They decide to bury their ‘Fate’, and settle the matter in peace. Idea, portrayed as a free spirit, gets impressed by a kid who resides in an alternate world of fantasy, and decides to venture into the new creative world. The real world, with all its materialistic obsessions, rigid notions and prejudices, loses the Idea forever.