Ian Gilmour

Gafanhotos: a 8ª praga é um 2005 filme de terror natural dirigido por Ian Gilmour e estrelando Dan Cortese, Julie Benz e David Keith sobre um grupo de fazendeiros e cientistas que lutam contra um enxame de gafanhotos carnívoros que escaparam de um laboratório de genética secreto em Idaho.

In the future of 2010, three young Americans, Quentin, JT and Amy are visiting Shanghai, when they get shanghaied by mysterious Mr. Smith and taken to Flatland, a place where past and present meet, literally. The only way out for them is to agree to fight Khan for him, an evil ancient warrior who lives through his reincarnations and could destroy the world if not stopped in time. Coventry and Jagger help him, while encyclopedic Linda helps Smith in his 4000 years long quest to stop him. Smith has an alter ego, a wise Shanghai nightclub owner known as Uncle, who gives advice to those who need it.

A psychologically disturbed solider is forced to come out of retirement to find his brother who has disappeared in the jungle but nothing can prepare him for the alien nightmare he is plunged into.

Michael e Lindy estão de férias com os filhos em um acampamento na Austrália. Subitamente, a recém-nascida desaparece do local onde dormia, dando início a uma investigação que ganha a atenção de todo o país. Com o passar do tempo, uma série de especulações aponta Lindy como possível culpada.

O executivo Robert Becker (Eric Roberts, de Star 80) é um funcionário excêntrico da Coca-Cola em Atlanta, na Geórgia, que é encarregado de ir à Austrália descobrir qual o motivo de uma pequena comunidade não consome o produto. Durante a missão, ele vai procurar o rei dos refrigerantes local oferecendo uma proposta de parceria a qual não tem interesse em ceder. As coisas se complicam quando o homem da Coca-Cola começa a se apaixonar por sua secretária temporaria Terri (Greta Scacchi, em sua segunda aparição no cinema), que parece ter conexões com o vale.

In '60's-era Australia, a college freshman must navigate freshman hazing, a distant mother, and a shaky relationship with his girlfriend.

In Australia, four teenagers in a Sydney theater are astounded to hear the news that a nuclear war has broken out in Eastern Europe. They try to figure out the best way they can survive the coming conflagration.

Karli's over the Sydney scene and its small-pond bohemian excesses. That's why she's moving to New York City in the morning. But over the course of one unforgettable night, Karli's best friends will show her that a little Sydney goes a long way .

Building is Howard's passion, and he is so absorbed in his plans to build an elaborate resort in the Blue Mountains of Australia that he ignores certain obvious signals that his business partner is not entirely on the up-and-up. After a brush fire destroys the resort, an insurance investigator comes nosing around, whom Howard's partner deals with in a drastic manner. By the time Lloyds of London's senior investigator George Engels (James Mason in one of his last roles) arrives on the scene, Howard (Tom Skerritt) is anxious to set things to rights.

This short feature film begins with a suicide attempt by Cathy, and then follows by telling her story in flashbacks. Cathy is a neurotic young woman who retreats from cold British parents into an equally uncommunicative relationship with a former teacher who aspires to be a poet. Cathy's self-destructive behavior is presented as a legacy of her (British) family and past.

A group of Australian SAS regiment soldiers are deployed to Vietnam around 1967/8 and encounter the realities of war, from the numbing boredom of camp life and long range patrols, raids and ambushes where nothing happens, to the the terror of enduring mortar barrages from an unseen enemy. Men die and are crippled in combat by firefights and booby traps, soldiers kill and capture the enemy, gather intelligence and retake ground only to cede it again whilst battling against the bureaucracy and obstinacy of the conventional military hierarchy. In the end they return to civilization, forever changed by their experiences but glad to return to the life they once knew.

Broke and homeless Australian teenagers in love.

The true story of a part aboriginal man who finds the pressure of adapting to white culture intolerable, and as a result snaps in a violent and horrific manner.