Milena Manfredini

Trem do Soul follows the timeline tracing a memorial and affective cartography of a young, black and peripheral movement that stirred hearts, bodies, minds and even uniforms in the 1970s in the metropolitan region of Rio de Janeiro.

“De um porto a outro” trata-se do segundo filme da série "Milena Chamando", um projeto de diálogos visuais entre a cineasta Milena Manfredini e seus referenciais afetivos e artísticos. São filmes de contato nos quais a realizadora lança ao mar cartas imagéticas numa tentativa de borrar barreiras geográficas, de finitude terrena e de temporalidade. Este lançamento marítimo é destinado à Dona Regina, uma importante Yalorixá do Quilombo da Mussuca, localizado no interior de Sergipe.

“On one side of the Atlantic” is about the first of a series of movies where a dialogue is proposed between the filmmaker Milena Manfredini and her artistic and affective references. These are movies where the director spears on the sea letters in an attempt to blur geographical, earthly finite and temporal barriers. This release is also destined towards the filmmaker Christopher Harris.

“On one side of the Atlantic” is about the first of a series of movies where a dialogue is proposed between the filmmaker Milena Manfredini and her artistic and affective references. These are movies where the director spears on the sea letters in an attempt to blur geographical, earthly finite and temporal barriers. This release is also destined towards the filmmaker Christopher Harris.

A search film that focuses on the origins, memories and ancestry of Mãe Celina de Xangô, an important Yalorixá in the city of Rio de Janeiro.

A sensory journey in the city of Rio de Janeiro with street vendors and street artists as characters in this urban cartography in which past and present are crossed.

A sensory journey in the city of Rio de Janeiro with street vendors and street artists as characters in this urban cartography in which past and present are crossed.

A sensory journey in the city of Rio de Janeiro with street vendors and street artists as characters in this urban cartography in which past and present are crossed.

O passado de Arthur Bispo do Rosario é praticamente desconhecido. Em 1938, o marinho e pugilista é internado na Colônia Juliano Moreira. Com diagnóstico de esquizofrenia é iniciada sua peregrinação em busca do divino e da catalogação do universo.

Desenvolvido como desdobramento da Residência Artística do Goethe-Institut.