Mustafa Yazıcıoğlu

Filmes

Pigment
Music
Ragıp, a fine arts graduate, is deceived by the older painter Feridun with the promise of art. He gets involved in human trafficking in France and gets out of this business years later. 25 years later, he comes back to Turkey and aims to open a workshop and enter the market in order to practice his main profession as a painter. On the one hand, he started to give painting lessons. Since he lost all his human feelings during the period he was trafficking in human beings, he wants to recapture them through art. On the other hand, the schizophrenia he tries to escape from increases and makes his daily life unbearable. Ragıp keeps the trainees he teaches and the people he does not want in his life in the basement and starts to use them as painting material.
Make a Wish
Original Music Composer
It's about a 12 year old boy Berke, who wants to know how his wishes are coming true.
The Cut
Music
Mrs. Reyhan makes preparations for the reporter woman who wants to interview with her. Reporter women wants to search for the incidents Mrs. Reyhan went through in the past. Mrs. Reyhan goes to kitchen to bring something to drink for the reporter.
The Photograph
Musician
People who have to leave where they live, let their photo taken for the last time in front of a backdrop. The photographer gives the photographs to everyone and they move away from the backdrop. "The Photograp"h takes a glimpse into the lives of all refugees who are forced to leave their country, from the point of view of the last moment they were together and happy. In doing so, the director who does not use any dialogues and thus does not offer any description, reveals his discourse on a global basis.
The Photograph
Music
People who have to leave where they live, let their photo taken for the last time in front of a backdrop. The photographer gives the photographs to everyone and they move away from the backdrop. "The Photograp"h takes a glimpse into the lives of all refugees who are forced to leave their country, from the point of view of the last moment they were together and happy. In doing so, the director who does not use any dialogues and thus does not offer any description, reveals his discourse on a global basis.