Writer
Pati, a student of journalism, decides to shoot her graduation film in Dzhabana in Kyrgyzstan. She is specially interested in the provincial town's vicinity to the nearby state frontier, which plays a major role in many of the townspeople's lives. Shima, Kycha and Baton use a stretch of fallow ground on the border to smuggle goods in their home-made four-wheel drive. Pati bumps into the threesome soon after her arrival in Dzhabana, when she recognizes her freshly stolen camera in the hands of its new owner: Baton. Pati strikes up an ambiguous relationship with the gang. She joins their tours as an observer at first, but soon takes a more active part. Then Shima comes up with a scheme to smuggle a stolen luxury vehicle: a cross-border wedding procession with the bridal couple in the limousine...
Director
Pati, a student of journalism, decides to shoot her graduation film in Dzhabana in Kyrgyzstan. She is specially interested in the provincial town's vicinity to the nearby state frontier, which plays a major role in many of the townspeople's lives. Shima, Kycha and Baton use a stretch of fallow ground on the border to smuggle goods in their home-made four-wheel drive. Pati bumps into the threesome soon after her arrival in Dzhabana, when she recognizes her freshly stolen camera in the hands of its new owner: Baton. Pati strikes up an ambiguous relationship with the gang. She joins their tours as an observer at first, but soon takes a more active part. Then Shima comes up with a scheme to smuggle a stolen luxury vehicle: a cross-border wedding procession with the bridal couple in the limousine...
Production Design
Shiza é o apelido de um adolescente mentalmente atrasado. Dinheiro, poder e mulheres, ele ainda não tem, mas ele conhece o submundo das ilegais brigas de rua e passa a ganhar a vida recrutando novos combatentes.
Writer
The second film by Kyrgyzstani director Aktan Arym Kubat (then credited by his Russian name Aktan Abdykalykov), it is the first of his autobiographical Kurak ("Quilt") Trilogy, followed by Beshkempir (The Adopted Son, 1998) and The Chimp (2001). Идиллия детства, радости, игры разрушается с возвращением в маленькое горное село моряка. В прекрасный мир девушки, мальчика и юродивого врывается великолепная морская форма с клешами и бескозыркой, и волшебная морская ракушка - источник всех их будущих бед.
Production Design
The second film by Kyrgyzstani director Aktan Arym Kubat (then credited by his Russian name Aktan Abdykalykov), it is the first of his autobiographical Kurak ("Quilt") Trilogy, followed by Beshkempir (The Adopted Son, 1998) and The Chimp (2001). Идиллия детства, радости, игры разрушается с возвращением в маленькое горное село моряка. В прекрасный мир девушки, мальчика и юродивого врывается великолепная морская форма с клешами и бескозыркой, и волшебная морская ракушка - источник всех их будущих бед.
Set Designer
A river reflects everything without carrying it away. But time — it takes everything away without reflecting anything... A story about teenagers in Kyrgyzstan.
