Johannes Binotto

Johannes Binotto

Nascimento : 1977-01-01,

História

Johannes Binotto, *1977, is researcher and senior lecturer in cultural and media studies, regular contributor to the film magazine Filmbulletin, and on the editorial board of RISS. Zeitschrift für Psychoanalyse. He teaches film theory and history at the Lucerne School of Art and Design and English and American literature and culture as senior lecturer at the English Department of the University of Zurich. He has written his PhD on the psychoanalytic uncanny as space in arts, literature and film. His two current research projects are a study on film technology and the unconscious, and a project on video essays in academic research and teaching.

Perfil

Johannes Binotto

Filmes

Reproduction Interdite
Reproduction Interdite
Sound Designer
What is there to see when characters turn their back on us? Back views in cinema are experienced as disturbances of their visual regime. But by hiding the faces these images point towards another presence, both familiar and uncanny to us all: there’s an off-space we all carry with us but can never look at without optical help. The part of us, where we become strangers to ourselves.
Reproduction Interdite
Reproduction Interdite
Editor
What is there to see when characters turn their back on us? Back views in cinema are experienced as disturbances of their visual regime. But by hiding the faces these images point towards another presence, both familiar and uncanny to us all: there’s an off-space we all carry with us but can never look at without optical help. The part of us, where we become strangers to ourselves.
Reproduction Interdite
Reproduction Interdite
Producer
What is there to see when characters turn their back on us? Back views in cinema are experienced as disturbances of their visual regime. But by hiding the faces these images point towards another presence, both familiar and uncanny to us all: there’s an off-space we all carry with us but can never look at without optical help. The part of us, where we become strangers to ourselves.
Reproduction Interdite
Reproduction Interdite
Director
What is there to see when characters turn their back on us? Back views in cinema are experienced as disturbances of their visual regime. But by hiding the faces these images point towards another presence, both familiar and uncanny to us all: there’s an off-space we all carry with us but can never look at without optical help. The part of us, where we become strangers to ourselves.
Touching Sound
Touching Sound
Sound Designer
Picking up on Pierre Schaeffer’s musical theory, this video essay looks at the final scene from Robert Aldrich’s Kiss Me Deadly as a source of concrete sound. No additional sounds were used. The stroboscopic audio is nothing but the original soundtrack, dissected and interrupted by clicking manually from frame to frame.
Touching Sound
Touching Sound
Editor
Picking up on Pierre Schaeffer’s musical theory, this video essay looks at the final scene from Robert Aldrich’s Kiss Me Deadly as a source of concrete sound. No additional sounds were used. The stroboscopic audio is nothing but the original soundtrack, dissected and interrupted by clicking manually from frame to frame.
Touching Sound
Touching Sound
Producer
Picking up on Pierre Schaeffer’s musical theory, this video essay looks at the final scene from Robert Aldrich’s Kiss Me Deadly as a source of concrete sound. No additional sounds were used. The stroboscopic audio is nothing but the original soundtrack, dissected and interrupted by clicking manually from frame to frame.
Touching Sound
Touching Sound
Director
Picking up on Pierre Schaeffer’s musical theory, this video essay looks at the final scene from Robert Aldrich’s Kiss Me Deadly as a source of concrete sound. No additional sounds were used. The stroboscopic audio is nothing but the original soundtrack, dissected and interrupted by clicking manually from frame to frame.
Bats in the Belly
Bats in the Belly
Accident Victim
Not having bitten anyone at the age of 25 makes the young vampire Victor feel quite inadequate. New hope blooms, however, when he meets Sophia, a young doctor.