Music
„Heimspiel“ tells the story about the game an energy company in Germany is playing with three villages. For lignite mining, villages are getting demolished, replacement villages are built from the scratch and the villagers are getting resettled. For some the demolition of their homes means great pain. Others, however, are happy about the generous financial compensation. But all of a sudden one of the villages will be preserved. Everyone in the village becomes an ally or an enemy. It‘s a film about the „home sweet home“, neighbourhoods and about the power of money.
Casting
A nearly finished construction site. The wiring is completed, the walls are painted, the final inspections are being done. The construction manager Thomas Zetzsche is proud of his achievement. The prestigious building he created is a modern dream come true. But suddenly that dream begins to crumble as more and more defects appear. Cables run into dead ends, the fire protection malfunctions and entire rooms go missing. Desperately Thomas is trying to fix the building until he finally accepts that the opening date has to be postponed. Now he must confront his own responsibility in this faulty system and draw the necessary consequences
Music
Martha is online and as long as she is connected to the main unit her life continues – monotonous, convenient, perfect. Nevertheless the well maintained system gets disrupted and Martha herself becomes the problem. The calculated consequence: offline.
Music
Three young female activists in Uganda, Hong Kong and Chile in a united front for the future, in an inflamed film by a merely 21-year-old filmmaker.
Music
“Those freaking 33 percent, where were they?” Lovis asks herself as she discovers a clearly right radical slogan on the regional train. She starts counting: “One, two, Nazi. One, two, Nazi.” In anger, she exits the train at the next stop. Stranded on the platform, she is confronted with the question: What now?
Music
The wild west! Cowboys galloping through vast landscapes, yearning looks into the distance, huge egos duelling to the blood - of course it needs the wide screen! But following the slogan ‚vertical is the new widescreen‘ even the western has to keep up with the times. With the new ‚Mobilescope‘ the genre expects of it's cowboys the same cool acting as we are used to. Will that work well?
