Production Design
A story of a barker who falls in love with a beautiful lady.
Costume Design
The story of Nick Joaquin, who only accepted the National Artist Award on the condition that the Marcos administration release a well-known writer who was being unjustly detained during Martial Law.
Production Design
The story of Nick Joaquin, who only accepted the National Artist Award on the condition that the Marcos administration release a well-known writer who was being unjustly detained during Martial Law.
Production Design
The true story of Andres Bonifacio, a man who rose as a leader in the fight against the Spanish oppressors, and would gain the enmity of even those fighting for the same cause.
Production Design
The film is very, very loosely based on the life of Arturo Porcuna (Jeorge Estregan). Once upon a time, he was known as Boy Anino, notorious leader of the Bahala Na gang. But rival gangster Tony Razon (John Estrada) attacked him in his home, leaving his entire gang and his family dead in the ruins. But Porcuna survived, and now he returns under a new alias, Boy Golden, and he seeks revenge against those that did him wrong. Along the way, he meets Marla D (KC Concepcion), a dancer who also has a bone to pick with Razon. Together, the two carry out a dangerous plan to take on Manila’s toughest gangsters.
Production Design
Black is scientifically the absence of color, but not all who see it is color-blind, figuratively. David F. weaves three stories that look into the lineage of African-Americans in the Philippines--from American soldiers in the Fil-Am war to the “Amboys” in the former Clark Airfield. In the course of history, the “F” in “David F.” may spell different levels of discrimination. But would we also admit that we Filipinos are bigots ourselves?
Costume Design
Mobster Asiong Salonga (ER Ejercito) rules the mean streets of Manila with an iron fist—until he is betrayed by a trusted friend. Manila Kingpin is based on the story of the notorious Tondo, Manila, gang leader Nicasio “Asiong” Salonga, whose true-to-life accounts had been portrayed in several movie versions since 1961 (starring Joseph Estrada). It is also the first Filipino major film produced in black-and-white in the 21st century as well as the returning action genre movie. Before the film was shown, Tikoy Aguiluz requested the producers, through his lawyers, that his directorial credits in the film and promotional tools be removed because the final version of the film can no longer be described as his after the producers made a reedit, re-shoot and music mixing without his involvement. He also demanded that he be allowed to make a director's cut of the film.
Costume Coordinator
Desperate for money, Lizette pursues the dark and thankless world of organ donation, hoping for a better life.
