Enrique Vidal

Catherine bears a strong resemblance to Silvia, daughter of a millionaire who has escaped with a bullfighter. A group of ruffians who intends to defraud the Silvia's father used to Catalina for their plans.

Lola and Maria are two Spanish young ladies engaged to Franz and Pepe, all so eager to spend their honeymoon that the moment seems never to come, as all sorts of problems pave their way.

This excellent short film written by the magnificent filmmaker duo of Luis García Berlanga and screenwriter Rafael Azcona was to be part of a series entitled Los Pícaros (The Rogues) which was never continued. These two artists were responsible for such masterpieces of Spanish cinema as Plácido and El verdugo (The Executioner). Here, Berlanga and Azcona collaborated for the first time, setting the stage for the post-war "Berlanguiana" vision that would develop. José Luis López Vázquez plays Julián, a seedy swindler, who with his cronies tries to sell a streetcar to a rich but naive farmer, a newcomer to the city. High jinx ensue. With this film begins the great stage of Berlanga's filmmaking in which he mixes a little social criticism and notes of anti-clericalism with a great deal of farce.

A Pharmacy on night duty is the location for all kinds of episodes that one might imagine to happen in any night in Spain in the fifties.

Serving the customers of a department store, the salesgirls in their blue uniform go out of their way to serve them. But in their young minds, one idea surpasses all: the hunt for a husband. Ana is in love with Juan, who seems to be very well in his condition of single. Olga has aspirations of the highest level, as her boyfriend must own a great car. Pilar aims to win a radio contest. And there is also Álvaro, the lawyer whose only cause capable of defending, and even with a resounding failure, is the freedom of the bachelor.

Right-handers Ricardo Puente, Juan Carmona and Rondeño II, which will take the alternative are advertised in the poster. The first is an old bullfighter, famous in the past, as now, bitter and full of rancor, lives with Paloma, a woman who is not resigned to continue to be the lover of a man who has fallen into oblivion. Carmona, the Bullfighter of fashion, has a major contract to fight in America, but his wife Isabel wants to reject the offer. Ana Maria, the sister of Carmona, hopes that his brother adopted its relations with Rondeno II; but Carmona was opposed because considers it it a bad Bullfighter