Kristaps Dzenis

Filmes

Troubled Minds
Camera Operator
Brothers Robert and Martin are a month away from their largest art exhibition. To get creative juices flowing, Martin locks himself in a black cube. Once out, brothers fall into a wild rollercoaster of events existing on the very edge of the chaos, examining the thin line between the artist’s creativity and mental troubles.
The Last Meal
A bureaucrat who has just declared himself as a new political force has disappeared… in a canteen; police are investigating. Combining the absurd and black humour, a harsh and ironic reflection on civil servants, cops, and contemporary art.
The Shift
First Assistant Camera
Mareks (32) is a young taxi driver in Riga working hard to provide for his son. He is looking forward to spending the weekend with him when an envelope full of cash is stolen from his taxi. With a debt to repay to his short-tempered boss, Mareks needs to earn the money back fast. He drives to the airport and hotels in the hopes of getting some well-paying customers. However, the competition for clients is fierce. Mareks ignores the established rules and upsets the delicate balance between rival taxi companies. As the morning approaches getting the money seems to be the least of Mareks problems.
Collective.ME
Director of Photography
“Collective.Me” is an ironic comedy about the concept of lies and loss of faith. In a small village, a paper mill is expecting a visit from the Ministry. While the director and his team is looking for creative tools to subvert official’s attention, something much more important slips by unnoticed.
Ludis
Director of Photography
Ludis and his daughter live in a greedy and narcissistic village. One day Ludis’ tractor crashes and the entire village loses electricity. Ludis inadvertently touches the electric wires and becomes stiff and seemingly dead. His wife doesn’t want him placed at home, so they place him in the garage.
Boozers
Director of Photography
A comical story about two brothers living in a countryside trying to solve their problems in their own way. Kris and Otto find themselves in the middle of caricature reality of countryside lifestyle; whether it’s family support, ego bragging, gasoline marketing, or playing music anywhere you go.