Edgar Osterberger

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.

Walter Harrer, an engineer, is on the night shift and returns home in the morning to find his wife lying unsconscious in the garden. She is sent to hospital were a loss of memory is observed. Dr. Bogner, a young psychiatrist, is interested in the case and tries to help Mercedes. He talks to her husband, her former lover and her friends to see if he can get some clue as to why she can't remember who she is. She confesses that she killed Lona Logan, her rival. But Dr. Bogner isn't sure that she's telling the truth. Did she really do it or is it pure fantasy?

The film jumps between the 40s and the 70s in Germany. Fateful and foreshadowing it highlights the entanglement of the economic system with the activities of the Nazi party, the Holocaust and the attempts to come to terms with the stories of the past. A spy thriller that tries to be everything at once.

The film jumps between the 40s and the 70s in Germany. Fateful and foreshadowing it highlights the entanglement of the economic system with the activities of the Nazi party, the Holocaust and the attempts to come to terms with the stories of the past. A spy thriller that tries to be everything at once.

Adi (Admitos) is under the protection of Apollo, the son of a man with money and relationships. The two are in jail, suspected of murder, but without evidence. So they are released. Adi loves Claudia (Alkeste), the domestic partner of his arch enemy, who finds death in a - metaphysical - duel. The power of Apollo is with Adi, who subsequently even finds out how to overcome death, after the apocalypse.

An experimental short about the isolated, over-civilized man.