Hauazkena Taldea

Filmes

Instructions For Walking Around The City
Director
A symphony of the city of Bilbao based on the famous documentary that Walter Ruttmann made about Berlin in 1927. Using various animation techniques, this is a digital watercolor inspired in the transparencies by Joseph Turner during his last period. The soundtrack is an original piece by the artist Xabier Erkizia that weaves together the sounds of the city streets with fragments of the poem by Miren Agur Meabe “Instructions For Walking Around The City" recited in eight languages.
Hunting
Editor
In 1969, artist Rafael Ruiz Balerdi made the short animated film Homenaje a Tarzán (Homage to Tarzan), which ended with an enigmatic «to be continued». Ehiza (Hunting) is its continuation. It accepts Balerdi's aesthetic proposal, but steps away from the colonial perspective of the films that inspired that work to depict the harshness of our own reality: harassment, violence and destruction.
Hunting
Director of Photography
In 1969, artist Rafael Ruiz Balerdi made the short animated film Homenaje a Tarzán (Homage to Tarzan), which ended with an enigmatic «to be continued». Ehiza (Hunting) is its continuation. It accepts Balerdi's aesthetic proposal, but steps away from the colonial perspective of the films that inspired that work to depict the harshness of our own reality: harassment, violence and destruction.
Hunting
Screenplay
In 1969, artist Rafael Ruiz Balerdi made the short animated film Homenaje a Tarzán (Homage to Tarzan), which ended with an enigmatic «to be continued». Ehiza (Hunting) is its continuation. It accepts Balerdi's aesthetic proposal, but steps away from the colonial perspective of the films that inspired that work to depict the harshness of our own reality: harassment, violence and destruction.
Hunting
Director
In 1969, artist Rafael Ruiz Balerdi made the short animated film Homenaje a Tarzán (Homage to Tarzan), which ended with an enigmatic «to be continued». Ehiza (Hunting) is its continuation. It accepts Balerdi's aesthetic proposal, but steps away from the colonial perspective of the films that inspired that work to depict the harshness of our own reality: harassment, violence and destruction.