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Ramiro Meneses

Nascimento : 1970-06-09, Medellin, Antioquia, Colombia

História

Ramiro Meneses (Medellín Antioquia, June 9, 1970) is a Colombian actor, director and television producer. In 1990 he starred in the film Rodrigo D. No Futuro by Antioquian filmmaker Víctor Gaviria, where he played a dissatisfied young man who wanted to become a punk musician. In 1991 he had a prominent role in the telenovela Cuando quiero llorar no lloro playing Victorino Moya. In 1992 he acted in the comedy series Vuelo secreto and in the telenovela En cuerpo ajeno. From that moment on his acting career took a strong impulse, appearing in numerous film and television productions in Colombia and other countries. His filmography includes productions such as Golpe de estadio (1998), Perder es cuestión de método (2004) and Punto y raya (2005).

Perfil

Filmes

Mephisto

Noe

Helena suffers the loss of her parents. Between mourning and abandonment, she receives through dreams, messages that will make her delve into herself, and at the same time, follow the strange trail of someone who will change her existence.

Dark Blood

Antonio

A father is imprisoned after committing a brutal revenge crime. During his confinement he must adapt to a new life of abuse, including injury and humiliation by guards and other prisoners.

O Menino Mensageiro

Gabriel

Em 1954, Alfonso é um garoto de 11 anos que perde a mãe e precisa deixar a escola para trabalhar.

Perros

Prisionero

Sexo, Mentiras e Mortes

Director

Quando duas estranhas têm algo em comum – um mau relacionamento. Elas concebem um plano para se livrarem dos seus companheiros… Cegas pela vingança e lutando contra o relógio as suas missões vão ser sangrentas e chocantes com um final que nunca poderia imaginar.

Sem Tetas Não Há Paraíso

El Titi

A adaptação cinematográfica da popular telenovela sobre uma jovem obcecada por implantes mamários.

Dios los Junta y Ellos se Separan

Germán Centeno Sánchez

A mid-class Colombian family get into chaos when it's found out that the "Lord of the house", Benjamín, has been cheating on his wife for 20 years and has another son.

The Deal

John María

Based on a true story of a British television crew that travelled to Colombia to film a fake documentary about drug trafficking. In one scene, shot in the director’s hotel room, an actor played the part of a character whom the filmmakers passed off as Cali Cartel’s Number Three. They claimed they had risked their lives to get the interview. One sequence also shows a man pretending to swallow capsules of heroine and transporting them to London in his stomach. This phoney TV documentary is an international smash hit. When a London daily discovers that the whole thing is a hoax, a team of British journalists are sent out to Colombia to cover the story. Their report unleashes a scandal that shakes the very foundations of television in the UK.

Kalibre 35

Taxi Driver

Four young friends are obsessed with cinema: watching it, tasting it and, above all, making it. However, financial difficulties repeatedly truncate their great illusion. Desperate, they decide to make a cinematographic plot come true: to rob a bank to finance their film.

Time Out

Herrera

The whimsical and joyous parade of ridiculous events satirize the war that rages in Colombia right now and exposes the real spirit of those who inhabit such a beautiful country.

Ship of Dreams

Scoundrel

Four men and two women illegaly board a cargo ship from Buenaventura, Colombia to New York. All their dreams and frustrations confronts them while they attempt not to be discovered by the ship crew. They all seek the "American Dream".

Los Victorinos

Victorino Moya

Three different stories, one only true name: they born the same day, at the same time and on the same city... When they found each other at 18, an unexpected fate awaits them. (Video Resume shown in two videocassetes)

Rodrigo D. No Future

Rodrigo D

Rodrigo is a marginalized and lonely being who prefers to die before being forced to kill. He finds himself trapped in a city that oppresses him, calls him, marginalizes him.