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#Labyu (2014) is a new gay romantic comedy film written and directed by Jill Singson Urdaneta and produced by Dennis Sebastian of Spin Entertainment Production, in association with Sunflower Films International. #Labyu is the film debut of Urdaneta as a writer-director. It stars Miko Pasamonte (The Escort, Kape Barako, Kumpare) and Albert Goza, who appeared in a film for the first time. The cast also includes Renee Gozon, Jobben Bello, G.A. Villafuerte, Gelo Arucan, John Galvez, LK King and JB Sinday. The film soundtrack features the music of Jeff Cifra, Kian Dionisio, Jerome and Sebastian Castro.
No dia de Natal, David, 15 anos, descobre que seu namorado, Jonathan, teve outro amante. A descoberta o leva à beira da depressão, fazendo-o pensar em maneiras de tê-lo de volta a todo custo. Ele convidou Jonathan para vê-lo neste dia pela última vez.
Directed by: G.A. Villafuerte Starring: Alvin Duckert, Renee Gozon, RJ Saycon, Tintin Ng, Ning Corteza, Roly Halagao, Kahlel Urdaneta Francis Cariaso, Claire Marie Aquino, Ace Toledo, Khane Garcia, Lloyd Khal Santos, Mhigz Teves
A young man hired as a houseboy becomes the object of the sexual attentions of an entire family.
A young gay man shares a bed with his bed in a hotel room with his best friend. Though he secretly pines for his roommate, he buries his feeling and suffers in silence as his best friend courts the affections of a woman who also lives in the hotel.
Editor
How often you go to shower? How clean you are? Need someone to take it off?
Filipino indie film directed by G.A. Villafuerte.
Cris discovers that his five years relationships is about to end when his live-in boyfriend Michael leaves him supposedly for an out of the country business trip. He then embarks on a long journey to catch his lover and the third party, passing by his boyfriend's maternal home, his boyfriend's best friend, his own best friend and a mysterious acquaintance. Will Cris catch his boyfriend and will he be able to prevent their relationship from its inevitable ending? Not until someone dies so another can move on. Hinala is not only about fidelity but more about that long journey we take when a relationship bitterly ends and we are broken. How many times must we die so we can be free from the baggage?
A film about encounters that test our hearts and minds and our morals on what is right or wrong where in the end, what we truly desire is who we really are.
