Kang Dae-hee

Filmes

Can I Borrow a Light?
Writer
A thoughtful young man ambles around the Han River, providing an expansive setting for his contemplations. During a telephone call on the Jamsu Bridge, connecting the districts of Yongsan-gu and Seocho-gu in Seoul, he discovers his umbrella has been lost by the girl he lent it to, and judging by his disappointed reaction, we can see he is hurt at being forgotten. Another lost soul is on this bridge, a man with a guitar asks for a light and a song. Soon the young man’s problems are put into context, when arguments about umbrellas seem to fade into meaninglessness.
Can I Borrow a Light?
Director
A thoughtful young man ambles around the Han River, providing an expansive setting for his contemplations. During a telephone call on the Jamsu Bridge, connecting the districts of Yongsan-gu and Seocho-gu in Seoul, he discovers his umbrella has been lost by the girl he lent it to, and judging by his disappointed reaction, we can see he is hurt at being forgotten. Another lost soul is on this bridge, a man with a guitar asks for a light and a song. Soon the young man’s problems are put into context, when arguments about umbrellas seem to fade into meaninglessness.
The Guy Who Wanna Survive
Director
When a bank robber is about to be caught by a detective, a woman who appears in the alley is taken hostage. The robber's wife is in a hospital due to a hit and run accident and has to leave the hospital because she has no money, and the detective also needs money because her wife is in the hospital. The hostage tells him to release himself and split the money between the two of them, but the detective who cannot keep the hostage alive, the only witness, has the robber kill her hostage, and the detective kills the robber. The money disappears and the case is closed.
Keep the Secret in the Memory
Director
A couple gets a phone call while they are on their way to the train station to go on a trip. Cheol-min hears from her friend that his girlfriend had previously lived with her friend. Hearing this, Cheol-min is worried and does not want to go on a trip. He is very excited by the feeling of betrayal that he cannot trust this woman.
Sweet Home
Director
A young man and woman enter an empty house where they plan to live for their newlyweds. The woman is not happy with the old and gloomy house and complains nonstop. The man ignores the woman's complaints and silently explores her house. There is a woman in front of him who is trying to complete the present with pieces of the past. The house without her family is like ruins. It is a work that projects the empty efforts of modern people to restore the meaning of a broken family into a terrifying fantasy.