Caquinha
Dr. Karloff aprisiona um alienígena do Planeta Leguminoso e chama seu amigo Dr. Marins para ajudá-lo em suas experiências, porque o Monstro Leguminoso é um intelectual anarquista cheio de ódio contra os seres humanos. Enquanto os cientistas discutem sobre o monstro, Caquinha é convencido pelo monstro a libertá-lo. Feito isso, o monstro mata os cientistas e todas a s pessoas que ele encontra em seu caminho.
Makeup Effects Designer
Dr. Karloff aprisiona um alienígena do Planeta Leguminoso e chama seu amigo Dr. Marins para ajudá-lo em suas experiências, porque o Monstro Leguminoso é um intelectual anarquista cheio de ódio contra os seres humanos. Enquanto os cientistas discutem sobre o monstro, Caquinha é convencido pelo monstro a libertá-lo. Feito isso, o monstro mata os cientistas e todas a s pessoas que ele encontra em seu caminho.
Producer
Dr. Karloff aprisiona um alienígena do Planeta Leguminoso e chama seu amigo Dr. Marins para ajudá-lo em suas experiências, porque o Monstro Leguminoso é um intelectual anarquista cheio de ódio contra os seres humanos. Enquanto os cientistas discutem sobre o monstro, Caquinha é convencido pelo monstro a libertá-lo. Feito isso, o monstro mata os cientistas e todas a s pessoas que ele encontra em seu caminho.
Makeup Effects Designer
Jesus Christ returns to planet Earth and is beaten up by the Christian community, which takes great pleasure in showing him christian affection!
Producer
Jesus Christ returns to planet Earth and is beaten up by the Christian community, which takes great pleasure in showing him christian affection!
Writer
Jesus Christ returns to planet Earth and is beaten up by the Christian community, which takes great pleasure in showing him christian affection!
Cancro
Experiência experimental em formato de filme de horror.
Makeup Effects Designer
Experiência experimental em formato de filme de horror.
Producer
Experiência experimental em formato de filme de horror.
Detetive Johnson
The day after the carnage initiated by the Martian scientist, a fleet of spacecraft from Mars is called upon to invade Earth, but Dr. Rottenberg's plans are hampered by two NASA officials, Detective Johnson and Dr. Nagib, called in to investigate. the case.
Makeup Effects Designer
The day after the carnage initiated by the Martian scientist, a fleet of spacecraft from Mars is called upon to invade Earth, but Dr. Rottenberg's plans are hampered by two NASA officials, Detective Johnson and Dr. Nagib, called in to investigate. the case.
Producer
The day after the carnage initiated by the Martian scientist, a fleet of spacecraft from Mars is called upon to invade Earth, but Dr. Rottenberg's plans are hampered by two NASA officials, Detective Johnson and Dr. Nagib, called in to investigate. the case.
Writer
The day after the carnage initiated by the Martian scientist, a fleet of spacecraft from Mars is called upon to invade Earth, but Dr. Rottenberg's plans are hampered by two NASA officials, Detective Johnson and Dr. Nagib, called in to investigate. the case.
Caçador
Dr. Rottenberg, the greatest Martian scientist, comes to Planet Earth to make preparations for a wild invasion involving re-animated Earth bodies, Martian zombies and teenagers playing in the woods. Criaturas Hediondas is one of the first Brazilian Shot On Video (SOV) to have national distribution via VHS tapes that were marketed in stands at grindcore, death metal and punks shows, becoming a reference (at the time) in the national underground. The video was filmed with a VHS camera and mounted from video to video, in an analog way.
Makeup Effects Designer
Dr. Rottenberg, the greatest Martian scientist, comes to Planet Earth to make preparations for a wild invasion involving re-animated Earth bodies, Martian zombies and teenagers playing in the woods. Criaturas Hediondas is one of the first Brazilian Shot On Video (SOV) to have national distribution via VHS tapes that were marketed in stands at grindcore, death metal and punks shows, becoming a reference (at the time) in the national underground. The video was filmed with a VHS camera and mounted from video to video, in an analog way.
This was my first attempt at making a movie. It was unabashedly inspired by Edward D. Wood Jr.'s Plan 9 from Outer Space (1959), one of the culprits in making me want to write increasingly meaningless scripts (the other is Jesus Franco). Until the second order, the 20-minute copy of this film, which was never edited, is lost.
