Producer
In late nineteenth-century Yakutia, Habji and his wife Keremes have just buried their second child, and are preparing for a harsh winter of famine. Instead of giving them the help he promised, the local prince foists a Russian convict, Kostya, on the family, who the law decrees must live in the same house as them. They initially struggle to find a common language, and the convict soon decides that he will be the master of the house from now on.
Screenplay
The last days of August: in the early morning a cool fog is felt on the skin, the ranetki in a barrel of water seem to be silver, the rustling of birches is heard everywhere, and in the country house everything is shaking because of the trains passing very close, but it seems to you that these are some kind of huge animals pass by and, perhaps, look in the windows in the evenings, while the lights are on there. You go out on the porch of the house and the movie begins.
Director
The last days of August: in the early morning a cool fog is felt on the skin, the ranetki in a barrel of water seem to be silver, the rustling of birches is heard everywhere, and in the country house everything is shaking because of the trains passing very close, but it seems to you that these are some kind of huge animals pass by and, perhaps, look in the windows in the evenings, while the lights are on there. You go out on the porch of the house and the movie begins.