Joe Bausch

This archer has often fought to stay alive, but never before did he fight to save his daughter's life against something evil.

1944. Adolf Hitler mostra toda sua confiança no marechal de campo, Erwin Rommel, quando deixa em suas mãos uma missão decisiva. Agora, diante de certas dúvidas, o militar deverá demonstrar a perfeição de seu plano e sua lealdade ao Führer.

Financial Officer Katharina Kamp has to collect tax debts from the stud owner Carl von Balkhausen. She arranges a local appointment, but the grumpy squire ignores her. When Katharina unexpectedly loses her brother and his wife in an accident, she initially has very different worries. She lovingly takes care of her niece Lara, who survived the accident and now sits in a wheelchair indefinitely. By chance, Carls and Katharina's paths intersect again. He and his horses work wonders for Lara and Katharina.

Maria's life is upside down. After a traffic accident, nothing is the same. She has terrible nightmares and suddenly sees through strange eyes one night. They are the eyes of a serial killer who is up to mischief in the small town of Unna in the Ruhr area. When Maria goes to the police, you don't believe her, although the extensive search for the murderer has so far been unsuccessful. The situation worsens as Maria begins to fear her best friends. Slowly but surely she thinks she is going crazy.

A journalist from Berlin, Germany, and a Swedish lawyer discover the truth behind the sinking of the "MS Estonia" in 1994, where more than 850 people drowned.

O porão de um prédio em ruínas. Um mundo de piercing e drogas eletrizantes transportam jovens ravers para um outro mundo. Marc acabou de se formar na academia policial mas ele, também cede à música e as pílulas até que uma batida policial termina com a festa. Marc consegue escapar, mas encontram sua jaqueta e nela algumas pílulas que ele estava ingerindo.

A traumatized young man, abused by his father, imagines himself as Adolf Hitler when dreaming of revenge. Schlingensief released this film, which follows no linear narrative structure, at a moment when right-leaning German intellectuals argued for a coming to terms of the country’s relation with its Nazi past. Schlingensief disagreed. (MoMA)