Marko Glušac

A film made by Danilo Kis's poem "The Revolutionary Poet on the Presidential Ship" on the wreck of Tito's yacht “Seagull” in Rijeka's shipyard with two acting film legends, Radko Polic and Marko Nikolic. The film was edited by the late Marko Glusac.

Cinco pessoas são atingidas por um trágico evento. Doze anos depois, cada uma delas precisa confrontar o passado.

A story about one team that decides to follow a dream that takes them on a journey to the First World Football Championship in Montevideo, Uruguay in 1930. A dream that allows them to become true stars and living legends.

Um concerto para celebrar a adesão da Bulgária à UE está sendo planejado na Embaixada em Londres e é função de VARADIN, o novo embaixador, garantir a presença da Rainha. Mas com funcionários corruptos, gangues de criminosos operando fora da cozinha, se apaixonando por uma stripper e um pequeno mal-entendido com uma empresa de relações públicas que fornece royalties semelhantes - sua tarefa simples se transforma em um pesadelo caótico.

O jovem diretor Marko, depois de várias tentativas frustradas de filmar seu primeiro longa-metragem, conhece o diretor pornô Cane e começa a fazer filmes com ele, mostrando sua raiva pela sociedade em que vive. Após o conflito com Cane, ele começa seu próprio pornô clube de cabaré em que os shows sociopolíticos são freqüentemente realizados. Ele reúne estrelas pornô ao seu redor. O casal gay Johnny e Max, um travesti Ceca, drogados Rade e Darinka e outros. No entanto, o irmão de Cane, que é policial, interrompe uma estréia, a imprensa os destrói também, e Marko decide que ele deve deixar Belgrado e fazer um passeio pela Sérvia com sua equipe. Logo depois, uma série de conflitos acontece com os telespectadores das aldeias que eles visitaram. No caminho, eles encontram um jornalista alemão Franc, que é fascinado pelos Balcãs. Franc sugere que Marko faça filmes com as cenas autênticas de sexo e violência para ele…

A man awakens from a two-month-long coma. Total amnesia. A bullet fired point blank. He doesn't remember anything. He's told that he had a wife and a son. They've been killed. He's revealed his past identity by the Colonel, who insists they are best friends. He's a Major of the Military Security Agency. An inspector from the State Security Agency appears affirming that he has information on people responsible for the massacre of his family. The Major is discharged from the hospital. He tries to patch together a normal life but is confronted with emptiness and despair. His only chance of discovering his identity and the assassin of his family is to accept the game that the Inspector has set up for him with the Businessman, the Mafioso and the Politician. He agrees... Discovers that he was a war criminal... Realizes who took a shot at him... Finds out who killed his family... Discovers the Fourth Man!

"A Armadilha" é um filme noir moderno que reflete a verdadeira face da "sociedade sérvia em transição". É uma história que pode acontecer com qualquer um de nós. É um filme sobre um homem comum, que é forçado a escolher entre a vida e a morte de seu próprio filho.

Juliet, a white girl, falls in love with a dark-skinned romeo, a divine trumpet player from the Roma orchestra. But her father Satchmo doesn't accept Romeo. Romeo needs to fight for Juliet at the legendary Festival of the trumpeters in Gucha.

We Are Not Angels III is a Serbian film. In 1973 during a Youth Work Action, budding musician Borko Pavić (Nikola Pejaković) is disappointed to find out that the majority of his fellow young workers prefer to dance kolo to folkish harmonica sounds rather than listening to him play his acoustic guitar. Heartbroken and depressed he confides in his best friend that he read that in America the young people make the devil appear by playing the music backwards who then makes them rich and famous. He becomes the mega popular rock'n'roll superstar Dorijan. Cut to 30+ years later Dorijan is still a debauched, coke-snorting, and alcoholic superstar, except that he's now playing turbo folk instead of rock'n'roll. He lives with a silicone trophy girlfriend Smokvica and his best friend from childhood is his business manager. Despite still having his women, fame, and fortune, Dorijan is unhappy about having to resort to playing a musical style he hates in order to have all that.

In this sequel of "We Are Not Angels", a highly successful Yugoslavian comedy, a former playboy must cope with his daughter's adolescence, as well as numerous boys that keep knocking at her doors. A worried father thinks she may get in type of troubles he used to cause when he was just the age of her wooers.

A young student Braca is trying to seduce a beautiful model Iris. Although they are from two different worlds, they both try not to show it. In another story, Šomi and Duje anxiously follow the football match between Manchester and Eastwich. They bet on Eastwich, because their childhood friend Kengur is their goalkeeper. The plot of the third story takes place on the roof of the solitaire, where Avaks and Hibrid are wasting time in anticipation of something happening.

Até recentemente um professor universitário, escritor boêmio, membro dos círculos intelectuais de Belgrado e um passional oponente do regime de Milosevic, Teja é um gerente de uma grande casa de publicações. Um dia, ele recebe a visita inesperada de Luka, agente aposentado do Serviço de Segurança Sérvio. E então, durante a visita, começam-se os confrontos entre eles, cheios de viradas brilhantes. O que vemos é uma crônica de uma era, a partir de incríveis situações, quase sempre comoventes, às vezes engraçadas, até os mais sombrios eventos e histórias de guerra, durante o fim do século XX.

In Yugoslavia's Livada prison in 1970, inmates led by Keber convince reluctant authorities to let them watch the televised Olympic final basketball game between the home country and the U.S., but taunting guards interrupt the viewing and prod the prisoners to the point of a riot. After a period of a kind of blissful anarchy where the inmates taste freedom, Keber enlists the house "intellectual" Mrak to devise a system of prisoner self-government aimed at forcing reforms on the state.

Caffe 'Boomerang' is one of Belgrade's many cafes. Seemingly just a backdrop for our cast of crazy characters, but in reality much more than that.

Urban comedy, happening during a night in Belgrade. Mare, Pop and Gojko are three friends who grew up together. Mare and Pop have always been musicians, while Gojko (who was harassed by them in school and nicknamed 'Sissy') became a 'guy in suit', boss of his own club and recording studio.