A young priest is intent on denying his homosexuality, and he's not doing a very good job. Meanwhile, his alien ex-lover is plotting to turn the Earth into a homosexual planet during a cosmic event and Captain Faggotron is caught in the middle. Clashing ideologies culminate in an orgy of gay demons and a love that no longer has to hide.
Non-binary film maker Toni Karat invited queer and sex-positive people of the ‘Berlin porn bubble’ for this impressive documentary about narcissism and self-love. In authentic and touching self-reflective interviews ten protagonists who are as diverse as possible – lesbian, gay, queer, trans, non-binary and often over 50 – tell their sexual stories and contemplate their personal journeys and struggles. It’s an almost philosophical little masterpiece with a lot of honesty and authenticity on both sides of the camera.
Pogo
Nora é uma garota de 14 anos que tenta se encaixar nos padrões: segue a turma da irmã mais velha, meninas que querem ser bonitas e magras e meninos que dizem bobagens para provocar. Só que, durante um verão, tudo irá mudar. Nora conhece Romy, uma jovem interessante, e se apaixona. Ela também tem sua primeira menstruação, aprende a se defender e tem o coração partido pela primeira vez. Pelos olhos da protagonista, o filme mostra um momento de mudanças extremas.
A queer metaphysical love story that weaves itself through real and imagined sexual encounters across darkrooms, forest cruising zones and highway shoulders. In these fantastical playgrounds, bodies are free to imagine themselves in a multiplicity of forms as they encounter other bodies without preconceived notions of what those other bodies desire, what they will need, and how they should be touched. While trusting the energetic attraction of bodies towards each other and learning through the encounter, INSTINCT simultaneously asks: what does it mean for a queer body to actively (un)learn what it might assume about another body's sex, gender, and desire?
It is the year 2060 and AIDS has been eradicated. However, in some, the HIV virus has now mutated into a gene from which a drug can be produced that has become the white powder of the twenty-first century. With a virtually supported scanning system, secret police are trying to identify anyone who carries this gene. Filmed in Berlin, Taiwan-born multimedia artist and filmmaker Shu Lea Cheang’s science fiction dystopia revolves around a struggle to gain control over the production and exploitation of bodily fluids. Her film is like an orgiastic opera; a breathless round of bodies, secretions, performances and sexual acts often performed in the service of an overriding economy. An unusual, largely experimental and deliberately parapornographic drama in which the borders between the sexes as well as homo-, hetero-, bi-, trans- or intersexual are constantly blurred.
