Jan St. Werner

The amazing story of electronic music: its epic journey from its origins in Europe, at the hands of the great artists of the post-war classical avant-garde, to the great post-industrial cities of the USA, where this genre of genres took over music stores, shady clubs and, eventually, the big stages.

It is an investigation into the loaded, transforming topography that is already palpable in the landscape, before we actually understand what language it creates for our society.

It is an investigation into the loaded, transforming topography that is already palpable in the landscape, before we actually understand what language it creates for our society.

Providing an unexpected and delightful pairing of audio and visuals, these five new digital works by Casey Reas and Jan St. Werner were initially inspired by Cindy Sherman’s Untitled Film Stills series and the 35mm camera-less films of Stan Brakhage.

Providing an unexpected and delightful pairing of audio and visuals, these five new digital works by Casey Reas and Jan St. Werner were initially inspired by Cindy Sherman’s Untitled Film Stills series and the 35mm camera-less films of Stan Brakhage.

Providing an unexpected and delightful pairing of audio and visuals, these five new digital works by Casey Reas and Jan St. Werner were initially inspired by Cindy Sherman’s Untitled Film Stills series and the 35mm camera-less films of Stan Brakhage.

Providing an unexpected and delightful pairing of audio and visuals, these five new digital works by Casey Reas and Jan St. Werner were initially inspired by Cindy Sherman’s Untitled Film Stills series and the 35mm camera-less films of Stan Brakhage.

Providing an unexpected and delightful pairing of audio and visuals, these five new digital works by Casey Reas and Jan St. Werner were initially inspired by Cindy Sherman’s Untitled Film Stills series and the 35mm camera-less films of Stan Brakhage.