Françoise Bertin

As an elderly couple stroll through the streets of Paris on Bastille Day, their feelings intermingle and their emotions return.

Paulette mora sozinha num projeto habitacional nos subúrbios de Paris. Com a sua pensão escassa, ela não consegue sobreviver. Uma noite, ao assistir a um curioso incidente de trânsito fora de seu prédio, Paulette vê o sinal do destino. Ela decide começar a vender cannabis. Afinal, porque não deveria? Paulette foi ex-chef pasteleiro. Seu dom para o comércio e habilidades culinárias são vantagens para encontrar soluções originais na condução de seu novo negócio.

Imagine, if you will, a somewhat contented married woman finding out her husband's infidelity during the celebration of a birthday party. That is what happens to Marie-France, when her husband, Henri, pulls out panties from his pocket to be used as a handkerchief. Marie-France becomes furious, storming out of the house. His son, Sebastian and his wife, Clementine, a struggling couple, decide to take Marie-France to their tiny apartment, something they feel it is a temporary arrangement. Little did they know what they were getting into...

Nicolau (Maxime Godart) leva uma vida tranquila, sendo amado por seus pais e com diversos amigos, com os quais se diverte um bocado. Um dia ele surpreende uma conversa entre os pais, a qual faz com que acredite que sua mãe está grávida. Ele logo entra em pânico, pois acredita que assim que o bebê nascer ele não mais receberá atenção e será abandonado na floresta, assim como ocorre nas histórias do pequeno Poucet, de Perrault.

On peut être un couple de bons Français, toujours amoureux, parents modèles, travailleurs et économes jusqu'à la manie et écouler au noir dans le sous-sol de sa villa de Béziers hyper sécurisée, des godasses de son ancien magasin et des produits "satisfaits ou remboursés" qu'on détourne dans tous les supermarchés de la région. A chacun sa morale !

Quando sua matriarca régia adoece, a problemática família Vuillard se reúne para uma hesitante reunião de Natal. Entre eles está o rebelde Henri e a nervosa Elizabeth. Juntos sob o mesmo teto pela primeira vez em muitos anos, seus ressentimentos e anseios intrincados e há muito negados emergem novamente.

When Camille falls ill, she is forced to live with Philibert and Franck.

Sophie (Emmanuelle Béart), Céline (Karin Viard) e Anne (Marie Gillain) são irmãs. Sophie, a mais velha, mora com o marido em Paris. A caçula Anne estuda arquitetura e mantém uma relação passional com seu professor, Frédéric (Jacques Perrin). Céline é solteira e vive para cuidar da mãe inválida, até que um misterioso homem surge em sua vida. Um incidente ocorrido na infância das três fará com que elas se reúnam para discutir o passado.

Saïd, seventy, has been demoralized by his wife’s illness which has left her hospitalized. He withdraws into solitude and writes poetry to express the infinite love he carries for his beloved.

Three generations of a wealthy Bordeaux family are caught in the crossfire when Anne decides to run for mayor, thanks to a political pamphlet that revives an old murder scandal.

An ecological pharmacist uses ancient Celtic techniques to murder industrial magnates whose practices harm the planet.

Uma mulher retorna a Paris e encontra seu marido morto e suas contas bancárias zeradas. Um número de pessoas de caráter duvidoso aparece exigindo dinheiro. Um rosto do passado se oferece para ajudar, mas será que ela pode confiar ou ele só está jogando um jogo perigoso que pode ameaçar sua vida?

A bygone symbol of the luxury of yesteryear and a true institution in a provincial town, the "Grand Magasin" is living its last hours. Indeed, the management, which can no longer afford the establishment, is preparing to sell the store to a large distribution group. Agathe, a saleswoman in the men's department for more than 25 years, is shocked to discover that all the staff will be laid off. Feeling both betrayed and responsible for the future of the "Grand Magasin", she becomes a passionaria, leading her colleagues to revolt, a true leader. The operation finally seems to bear fruit when the sale is cancelled and a new director is appointed.

In 1962, two teenage friends discover love in the form of a beautiful gypsy.

Jonas (Clément Sibony), a 23-year-old dad attempts to carry out an important Jewish tradition: burying the foreskin of his newly circumcised son. The forgetful father only has a few hours to complete the task... but have a group of hit men on his trail won't help matters much.

After fifteen years of absence, a man returns to his family. Five-year-old Aurelie watches the stranger arrive and develops an immediate affinity with him. Her older sister, however, is very suspicious of the intruder and certain that misfortune will follow. The adults see nothing, but struggle with all their might when tragedy strikes. Naturally, the two girls bear the brunt of the impact. The film is an homage to the distant and primitive world of childhood, which shapes each of us.

This is an important day for Marc Chanois, an insurance advisor heading toward middle age: it's his fiancée Sabine's birthday, her parents arrive in Paris and Marc will meet them for dinner to announce the engagement (her father can't stand him), he's bought Sabine a Spitfire, and his most important client is to sign a policy. But, as the day wears on, he's vexed by an incompetent secretary, the unexpected return of a girlfriend he hasn't seen in five years, squatters who use his office at night, the jealous former lover of a flight attendant who lives in the building, and his boss's unexpected return from a Swiss clinic. Will he reach Sabine in one piece?

Zena (Dominique Blanc) lost her parents as a very young girl, and though she was born in Albania, only knows about life in Paris. She was raised by her uncle Selman (Sulejman Pitarka), whom she is about to leave behind in order to start a new life in New York. Just before she leave, however, she hears of an Albanian who is being detained by French authorities for want of the proper paperwork. Ordinarily, that would not capture her attention. However, Vladimir (Timo Flloko), who is the man in question, claims to have information that Zena's father is not dead, and could be located. Zena postpones her trip to speak with Vladimir and, once he is free to travel, they begin to try and explore his information. There is only one problem in their traveling around France together: he doesn't speak a word of French, and she doesn't speak a word of Albanian. Somehow, they manage to communicate, and they eventually become lovers.

Joey Wellman, an American cartoonist from Cleveland now largely forgotten at home, visits France with his partner Lena to attend an exhibition in Paris about the comic strip (bande dessinée) which features his work. He also hopes to be reconciled with his daughter Elsie who has been a student in Paris for two years, in flight from the American culture of which she sees her father as a typical example. Elsie is naively infatuated with French literature, and is trying to secure an introduction to the brilliant university professor Christian Gauthier, an expert on Flaubert but also an enthusiast for comic books. The meeting of father and daughter goes badly, but Elsie is persuaded to join Joey and Lena for the weekend at the country house of Gauthier's mother, Isabelle. During a comic-themed masquerade party, all of the characters are made to reconsider their present and past relationships.

In the fall of 1963, Anne is becoming a teenager. She lives in Paris with her mother and her older sister, Frédérique. They're just back from summer at the beach with their father. School starts. A turbulent year awaits them both.

Two men, fortyish, worn out by their wives, abandon everything to go and live in the back of beyond. There they meet a truculent priest, a boozer, Émile who recalls them to life's simple pleasures. Calm is what they want. But soon their example inspires thousands of disorientated males, fleeing the feminist 1970s. Soon, too, there arrives a squadron of nymphomaniac Amazons.

The Sienese Pia Tolomei is imprisoned in a castle by a jealous husband. Based on the novel by Marguerite Yourcenar, inspired by a story from the Italian Middle Ages.

An apocalyptic vision of man after a cosmic catastrophe, this film is a terrifying metaphor of a dehumanized future. The Brazilian Cinema Novo, German expressionism of the twenties, and the ideologically motivated ‘cruelty’ of a Buñuel come together in this ferocious work of a French theatre collective – an ambitious, almost completely successful example of visual cinema at its best.

Um grupo de espanhóis refugiados na França tenta organizar protestos contra o governo em Madri. Sua rede está sob constante ameaça pela polícia espanhola e alguns deles foram recentemente presos. O personagem principal Diego (Yves Montand) dedicou toda a sua vida à batalha, mas ele se sente afastado para sempre. Ele não encontra seu lugar nem em seu país adotivo (França) nem no amor. Mas este filme não é sobre a história, é sobre estilo. Alain Resnais tem uma abordagem original neste filme e isso é o que faz com que esse filme valha a pena ser assistido. (e 14 - Estimado 14 Anos)

Após o estupro e assassinato de uma garotinha, camareira de uma família excêntrica muda de emprego e vai trabalhar com o homem que acredita ser o autor do crime. Ironicamente, se trata de ninguém mais, ninguém menos que seu noivo, e passa a reunir indícios que comprovem a autoria do crime.

Uma viúva, dona de uma loja de antiguidades e o seu enteado vivem perturbados com difíceis lembranças do passado. Um antigo amor volta à vida da mulher e espanta o tédio da sua existência. Já o rapaz é assombrado pela memória das atrocidades que testemunhou durante a guerra da Argélia, quando uma jovem chamada Muriel foi torturada até à morte.

No luxuoso hotel, um estranho tenta convencer uma mulher casada a fugir com ele, alegando que ambos haviam tido um caso amoroso no ano anterior, em Marienbad. Mas a mulher não se lembra do relacionamento.