Anthony Valdez

Seja furtando lojas, saindo sem pagar uma refeição extravagante ou pesando os prós e contras da prostituição, a mãe e filha María e Leo fazem blefes e fraudes para manter o estilo de vida que acham que merecem. Elas se unem graças a uma tragédia comum e um despejo iminente na Espanha pós-crise.

The International Woolmark Prize and Saint Heron Agency present ‘Passage’ – a motion portraiture and celebration of the six 2021 International Woolmark Prize finalists. Created and written by Solange Knowles for Saint Heron Agency, and directed by McArthur Award-winning director Wu Tsang, the work draws from the masterful styling of Ib Kamara and an original score by Standing on The Corner. Starring Dionne Warwick, Dominique Jackson, SahBabii, Joi and KeiyaA, “Passage” is a deeply thoughtful exploration of sustainability, and the stages of creation: contemplation, courage, optimism, vulnerability, discipline and strength. Through 6 acts of concentrated motion between stage, nature and surrealism, the film echoes themes of conjuring and ceremonious celebrations, and creates abstraction to embody the various expressions of each designer.

Welcome to hell. The late cultural theorist Mark Fisher, known to some as k-punk from his early blogging days, is giving a lecture on the “gentrification of contrapasso,” the Dantean term for a punishment resembling the sin itself. What could this flashy phrase possibly mean? Fisher is interested in those doomed to repetition until they realize their wrongdoing. See: Groundhog Day, Russian Doll. He hasn’t watched that show, but he doesn’t like what it’s doing to hell on Earth. What he does like is punk band The Fall, particularly their inimitably antisocial frontman Mark E. Smith. He drones on and on about Smith’s antiborgeious, radical inscrutability. Then, a certain kind of heaven. Smith appears before him. He got to heaven and he hated it. Soon he’ll learn to regret his reactionary choice, doomed to spend his afterlife as part of Fisher’s repeating his self-deluded sin.

The film focuses on the life of Jenny who has, according to many of the other characters, become too “left-of-center” while pursuing her interests.

The film focuses on the life of Jenny who has, according to many of the other characters, become too “left-of-center” while pursuing her interests.

The film focuses on the life of Jenny who has, according to many of the other characters, become too “left-of-center” while pursuing her interests.