Anna Ansone

Filmes

Can’t Help Myself
Director
In order to get through her unexciting summer job selling ice cream at the Baltic seaside, Estere fills her time with guided meditation online sessions and self-help audiobooks. Yearning for contact but stuck in self-doubt, Estere starts imitating the conversations she overhears.
Still Life
Producer
Elīna returns to the summer house of her childhood to show it to buyers. The visceral presence of her dead grandmother forces her to reflect on the legacy of failing familial relations – and how she and her mother are approaching a similar fate.
Still Life
Writer
Elīna returns to the summer house of her childhood to show it to buyers. The visceral presence of her dead grandmother forces her to reflect on the legacy of failing familial relations – and how she and her mother are approaching a similar fate.
Still Life
Director
Elīna returns to the summer house of her childhood to show it to buyers. The visceral presence of her dead grandmother forces her to reflect on the legacy of failing familial relations – and how she and her mother are approaching a similar fate.
Annia
Editor
Annia (28) lives in Riga and always is in a process and finding her own way, expressing herself in multiple roles. She works as a show manager at The New Riga Theatre, but later she needs to find out how to be unemployed. She teaches tap dance in her own studio, and a great part of her life is to be Dr. Clown in Children's clinical hospital.
Tango
Editor
Helen suspects that her beloved son has a girlfriend what he is trying to hide. She is terrified of the possibility that her son could leave her for his girlfriend. Dainis invites her to a party in the hope that they both will be able to become friends, but due to missunderstanding a disaster strikes.
Cowbell
Editor
Marta is ready to do anything to seduce her mysterious drumming teacher Ivars. However, Marta’s provocations don’t seem to work on him. After many misunderstandings an unexpected friendship is born.